{"product_id":"schott-machaut-lay-vii-countertr-ou-alto-2-trs-et-bass-156351","title":"Machaut - Lay Vii - Countertr (Ou Alto) 2 Trs Et Bass","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003e\"Lay VII\" si inserisce nel vasto ciclo delle \u003cstrong\u003eMachaut Transcriptions\u003c\/strong\u003e, in cui Heinz Holliger esplora l'universo del grande poeta-compositore del XIV secolo Guillaume de Machaut attraverso diversi livelli di arrangiamento. Il punto di partenza è il \"Lay VII\" originale, trasmesso unicamente in \u003cstrong\u003enotazione monodica\u003c\/strong\u003e, conforme al genere: una melodia sola, senza armonizzazione, sostenuta dalla chiarezza della linea e dalla forza del canto.\u003c\/p\u003e\u003cp\u003eNella versione di Holliger, questa melodia è \u003cstrong\u003espezzata in brevi sezioni\u003c\/strong\u003e e subisce cambiamenti progressivi da una parte all'altra. I \"vuoti\" creati da questi spostamenti sono colmati da un \u003cstrong\u003emotivo residuo\u003c\/strong\u003e che si prolunga, si aggrappa e poi riappare come una traccia persistente. L'ascolto e l'interpretazione si costruiscono così su un gioco di continuità e rottura, dove la memoria del materiale medievale resta presente, pur trasformandosi in un linguaggio di scrittura più contemporaneo.\u003c\/p\u003e\u003cp\u003eQuesta partitura si rivolge a musicisti che cercano un'opera di \u003cstrong\u003ealto livello\u003c\/strong\u003e, richiedendo precisione ritmica, controllo del fraseggio e senso dell'architettura. La presenza dell'originale in appendice permette di comprendere direttamente la fonte, di confrontare i contorni melodici e di capire meglio la logica della trascrizione e della ricomposizione.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGuillaume de Machaut\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edifficile\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHeinz Holliger\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e24\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrancese\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2006\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schott","offers":[{"title":"Default Title","offer_id":54359730848019,"sku":"156351","price":13.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/841a81d4ed2188c6f1d6e23eff36f30ed6701f74_MDS_ED21073_HOLLIGER.jpg?v=1789461568","url":"https:\/\/woodbrass.it\/products\/schott-machaut-lay-vii-countertr-ou-alto-2-trs-et-bass-156351","provider":"Woodbrass.com","version":"1.0","type":"link"}