{"product_id":"paul-beuscher-publications-bossa-piano-methode-d-accompagnement-60799","title":"Bossa piano - méthode d'accompagnement","description":"\u003ch3\u003eRiassunto di questo metodo\u003c\/h3\u003e\u003cp\u003eNata all'incrocio tra samba e jazz, la Bossa Nova ha prima sviluppato la sua grammatica sulla chitarra, prima di ispirare una scrittura pianistica sottile. Con \u003cstrong\u003eBossa piano - méthode d'accompagnement\u003c\/strong\u003e, Didier Marchand propone ai pianisti un percorso chiaro per trasporre questa estetica \"chitarra\" sulla tastiera, senza perdere la leggerezza del groove né la finezza armonica proprie dello stile.\u003c\/p\u003e\u003cp\u003eNel corso del metodo, esplorerete \u003cstrong\u003epattern di accompagnamento\u003c\/strong\u003e concepiti per stabilire una pulsazione stabile, valorizzando al contempo le sincopi e gli accenti discreti che fanno respirare la bossa. Il lavoro si concentra in particolare sulla \u003cstrong\u003emano sinistra\u003c\/strong\u003e (bassi, alternanze, spostamenti) e sul posizionamento ritmico, al fine di ottenere un accompagnamento flessibile, preciso e naturalmente danzante.\u003c\/p\u003e\u003cp\u003eIl volume affronta anche la scrittura degli accordi al pianoforte attraverso \u003cstrong\u003evoicings aperti\u003c\/strong\u003e e arricchimenti tipici (9a, 11a, 13a), per ritrovare il colore jazz della Bossa Nova mantenendo un tocco arioso. Questo approccio è particolarmente pertinente se desiderate \u003cstrong\u003eaccompagnare un cantante\u003c\/strong\u003e, sostenere uno strumento melodico, o arricchire i vostri arrangiamenti con \u003cstrong\u003eintroduzioni\u003c\/strong\u003e e \u003cstrong\u003econclusioni\u003c\/strong\u003e raffinate.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDidier Marchand\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePianoforte\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePaul Beuscher\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodo - studi\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Paul Beuscher Publications","offers":[{"title":"Default Title","offer_id":54359679664403,"sku":"60799","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0cd78d594506b85538d10a8939254e07705bf1bc_hexamusic_bossa_piano_methode_d_accompagnement.jpg?v=1789440324","url":"https:\/\/woodbrass.it\/products\/paul-beuscher-publications-bossa-piano-metodo-di-accompagnamento-60799","provider":"Woodbrass.com","version":"1.0","type":"link"}