{"product_id":"lemoine-debussy-c-bilitis-6-epigraphes-iques-flute-he-ou-piano-70492","title":"Debussy C. - Bilitis - 6 Epigraphes Iques - Flute He Ou Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eNel 1900, tre anni dopo la pubblicazione delle tre melodie \u003ci\u003eLa Flûte de Pan\u003c\/i\u003e, \u003ci\u003eLa Chevelure\u003c\/i\u003ee \u003ci\u003eLe Tombeau des Naïades\u003c\/i\u003e, Claude Debussy compone una musica da scena (oggi poco eseguita) destinata ad accompagnare le poesie di Pierre Louys, \u003ci\u003eChansons de Bilitis\u003c\/i\u003e. Per questa occasione, sceglie un ensemble strumentale particolarmente evocativo: \u003cstrong\u003edue flauti\u003c\/strong\u003e, \u003cstrong\u003edue arpe\u003c\/strong\u003e e un \u003cstrong\u003ecelesta\u003c\/strong\u003e, formazione rara che sottolinea la sensualità e la delicatezza di questi quadri poetici.\u003c\/p\u003e\u003cp\u003eNel 1913, Debussy riprende i temi principali di questa musica per creare \u003ci\u003eSix épigraphes antiques\u003c\/i\u003eper \u003cstrong\u003epianoforte a quattro mani\u003c\/strong\u003e, condensando lo spirito di Bilitis in sei brevi pezzi cesellati e suggestivi. Questa partitura propone una trascrizione di \u003cstrong\u003eGeorges Lambert\u003c\/strong\u003e e \u003cstrong\u003eYung Wha Lee\u003c\/strong\u003e, pensata come un naturale prolungamento: restituire al meglio la \u003cstrong\u003epalette sonora\u003c\/strong\u003e e la trasparenza dei timbri che ispirarono l'opera all'origine.\u003c\/p\u003e\u003cp\u003eIl risultato è una lettura ideale per i musicisti alla ricerca di un Debussy intimista, dove l'equilibrio dei piani, la flessibilità del rubato e la cura degli attacchi sono al centro dell'interpretazione. Che la eseguiate in formazione \u003cstrong\u003eflauto e arpa\u003c\/strong\u003e o al \u003cstrong\u003epianoforte\u003c\/strong\u003e, questa trascrizione valorizza la poesia delle linee, la respirazione dei silenzi e il lavoro sulle sfumature, essenziali nello stile impressionista.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClaude Debussy\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassico\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGeorges Lambert e Yung Wha Lee (trascrizione)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e26 + 10\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eflauto e arpa o pianoforte\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2007 (aprile)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54358512468243,"sku":"70492","price":20.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ebd8f1c37be2bc8080688a2a36a8a5ed49c35b95_9790230984539.jpg?v=1789448574","url":"https:\/\/woodbrass.it\/products\/lemoine-debussy-c-bilitis-6-epigrafi-antichi-flauto-o-pianoforte-70492","provider":"Woodbrass.com","version":"1.0","type":"link"}