{"product_id":"hanssler-musik-verlag-pitions-ch-schutz-siehe-es-erschien-der-engel-des-herren-joseph-im-traum-58645","title":"Pitions Ch - Schütz Siehe Es Erschien Der Engel Des Herren Joseph Im Traum","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eFlucht nach Ägypten\u0026#59; deutsches geistliches Konzert per Favorit-Chor a quattro voci, due strumenti obbligati, Complement-Chor a quattro voci ad libitum e Bc (Symphoniae sacrae III, op 12, Nr 6). Edition Günter Graulich \u0026 Paul Horn\u003c\/p\u003e \u003cp\u003eQuesta partitura si inserisce nella tradizione del \u003cstrong\u003econcert spirituel tedesco\u003c\/strong\u003e, dove la retorica del testo e la valorizzazione delle linee vocali si combinano con una scrittura strumentale concertante. La presenza di un \u003cstrong\u003eFavorit-Chor\u003c\/strong\u003e a quattro voci permette un lavoro preciso su dizione, equilibrio e intonazione, mentre il \u003cstrong\u003eComplement-Chor ad libitum\u003c\/strong\u003e offre grande flessibilità nell'organico: è possibile rafforzare la massa corale, creare effetti di alternanza o adattare l'opera a una configurazione più intima.\u003c\/p\u003e \u003cp\u003eL'organico strumentale, con \u003cstrong\u003edue parti obbligate\u003c\/strong\u003e e il \u003cstrong\u003ebasso continuo\u003c\/strong\u003e, contribuisce alla dinamica del discorso musicale: il continuo struttura l'armonia e sostiene gli ingressi vocali, mentre gli strumenti obbligati apportano risposte, raddoppi o contrasti timbrici secondo l'interpretazione scelta. Questa edizione sarà particolarmente adatta agli ensemble che cercano una \u003cstrong\u003epartitura corale\u003c\/strong\u003e esigente ed espressiva, per concerto, ufficio o progetto didattico intorno alla musica sacra barocca.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReligiosa, Sacra\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSchütz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSymphoniae sacrae III, op 12, Nr 6\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEdition Günter Graulich \u0026amp; Paul Horn\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eKonzert spirituel tedesco (musica sacra)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFavorit-Chor a 4 voci, 2 strumenti obbligati, Complement-Chor a 4 voci ad libitum, basso continuo (Bc)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTedesco\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hänssler Musik Verlag","offers":[{"title":"Default Title","offer_id":54359161471251,"sku":"58645","price":3.72,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d495208376c419a13f5bdfeb1d0a56f5de238e7f_PARTOCHEEEE.jpg?v=1789470045","url":"https:\/\/woodbrass.it\/products\/hanssler-musik-verlag-partiture-vocali-schutz-siehe-es-erschien-der-engel-des-herren-joseph-im-traum-58645","provider":"Woodbrass.com","version":"1.0","type":"link"}