{"product_id":"hal-leonard-duschenes-mario-method-for-the-recorder-part-2-flute-a-bec-alto-basse-308394","title":"Duschenes Mario - Method For The Recorder Part 2 - Flute A Bec Alto \u0026 Basse","description":"\u003ch3\u003eRiassunto di questo metodo\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eMetodo per il flauto dolce - Parte 2\u003c\/strong\u003e\u003cbr \/\u003eMetodo di flauto dolce\u003c\/p\u003e \u003cp\u003eQuesto \u003cstrong\u003emetodo per flauto dolce\u003c\/strong\u003e (Parte 2) è rivolto agli strumentisti che desiderano sviluppare una pratica più sicura ed espressiva sul \u003cstrong\u003eflauto dolce alto\u003c\/strong\u003e e sul \u003cstrong\u003eflauto dolce basso\u003c\/strong\u003e (strumenti in Fa). Procedendo nel repertorio e nella tecnica specifica di queste tessiture, permette di rafforzare la lettura, la stabilità del suono e la precisione dell'esecuzione, mantenendo una logica di progressione accessibile.\u003c\/p\u003e \u003cp\u003eIl lavoro proposto mira a instaurare buoni automatismi: controllo del fiato e dell'attacco, articolazione netta, regolarità ritmica e costruzione del fraseggio. Su alto e basso, la gestione della colonna d'aria e l'equilibrio delle dinamiche diventano rapidamente centrali: questo metodo accompagna questi punti essenziali e aiuta a guadagnare comfort, sia in classe, in ensemble o nella pratica individuale.\u003c\/p\u003e \u003cp\u003eInserito nella \u003cstrong\u003eserie \"Recorder Method\"\u003c\/strong\u003e, rappresenta un'ottima scelta per studenti e musicisti che cercano un \u003cstrong\u003emetodo progressivo\u003c\/strong\u003e dedicato ai flauti dolci in Fa, con una presentazione chiara e un percorso pensato per radicare le basi ampliando le possibilità musicali pagina dopo pagina.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMario Duschenes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRecorder Method\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAssociated\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodo strumentale\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFlauti dolci alto e basso (in Fa)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hal Leonard","offers":[{"title":"Default Title","offer_id":54358016393491,"sku":"308394","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ca72d8d8ccd9cf271897c54005042a80c12525bb_HL50236440.jpg?v=1789448540","url":"https:\/\/woodbrass.it\/products\/hal-leonard-duschenes-mario-metodo-per-flauto-dolce-parte-2-flauto-dolce-contralto-e-basso-308394","provider":"Woodbrass.com","version":"1.0","type":"link"}