{"product_id":"aebersold-markley-b-a-practical-approach-to-jazz-improvisation-the-david-hazeltine-method-194941","title":"MARKLEY B. - A PRACTICAL APPROACH TO JAZZ IMPROVISATION-THE DAVID HAZELTINE METHOD","description":"\u003ch3\u003eRiassunto di questo libro\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eFor All Instruments!\u003c\/strong\u003e di Ben Markley propone un approccio semplice ma efficace: imparare a \u003cstrong\u003escrivere i propri studi\u003c\/strong\u003e nello spirito dei propri improvvisatori preferiti. Costruendo questi mini pezzi \"alla maniera di\", si mettono in luce le loro frasi tipiche, le loro concatenazioni, i loro accenti, la loro respirazione e il loro modo di far progredire il discorso. Risultato: non si imita solo un suono, si comprende la logica dello stile e lo si integra in modo duraturo nel proprio modo di suonare.\u003c\/p\u003e\u003cp\u003eIl libro si basa su un approccio \u003cstrong\u003emonodico\u003c\/strong\u003e (single-line), ideale per sassofonisti, trombettisti, chitarristi, flautisti, violinisti, trombonisti e qualsiasi strumentista che desideri migliorare il proprio \u003cstrong\u003efraseggio\u003c\/strong\u003e e la coerenza melodica. Anche i pianisti vi troveranno una risorsa preziosa, poiché l'obiettivo non è il gioco di accordi ma la qualità della linea: direzione, articolazione, posizionamento ritmico e continuità del swing.\u003c\/p\u003e\u003cp\u003eQuesto metodo mette in evidenza l'idea che studi ben concepiti rendano i concetti \u003cstrong\u003eorganici\u003c\/strong\u003e e direttamente trasferibili all'improvvisazione. Una testimonianza di Eric Alexander sottolinea inoltre la chiarezza e l'efficacia pedagogica degli studi di David Hazeltine, pensati per facilitare l'assimilazione del \u003cstrong\u003elinguaggio jazz moderno\u003c\/strong\u003e. Una scelta eccellente se cercate un supporto stimolante per lavorare sull'ispirazione, la scrittura e la libertà di improvvisare con frasi più personali.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTematica\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTeoria - Armonia\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBen Markley\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodo jazz (fraseggio, studi, improvvisazione)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtista\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDavid Hazeltine\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eInglese\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTutti gli strumenti\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Aebersold","offers":[{"title":"Default Title","offer_id":54360474517779,"sku":"194941","price":13.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/46a955150bbcb08a243fa79ae5ca57bec7bd885c_AEBPAJ_32253afc-9339-48ee-afc5-14fbb8c81714.jpg?v=1789461546","url":"https:\/\/woodbrass.it\/products\/aebersold-markley-b-a-practical-approach-to-jazz-improvisation-the-david-hazeltine-method-194941","provider":"Woodbrass.com","version":"1.0","type":"link"}