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L'edizione include una \u003cstrong\u003eriduzione per pianoforte\u003c\/strong\u003e accompagnata dalla \u003cstrong\u003eparte di violoncello\u003c\/strong\u003e, un vantaggio essenziale per preparare efficacemente il repertorio senza disporre immediatamente di un ensemble d'archi. Il pianista può così restituire le funzioni armoniche e gli appoggi orchestrali, mentre il violoncellista affina l'intonazione, i cambi di posizione e l'articolazione in un contesto musicale coerente.\u003c\/p\u003e\u003cp\u003eLa riduzione per pianoforte è particolarmente utile per organizzare prove mirate: messa a punto degli ingressi, lavoro sulle respirazioni, gestione dei contrasti dinamici e preparazione dei passaggi tecnici. Alternando sessioni \"dettaglio\" (intoniazione, colpi d'arco, continuità del legato) e sessioni \"interpretazione\" (carattere, eventuale rubato, equilibrio dei piani sonori), questa versione permette di arrivare alle prove d'orchestra con una visione musicale solida. Il formato verticale di questa nuova edizione contribuisce al comfort di lettura sul leggio, e la presentazione complessiva è adatta sia all'uso in conservatorio che alla pratica amatoriale avanzata.\u003c\/p\u003e\u003cp\u003eChe stiate preparando un concerto con orchestra d'archi, un'audizione con accompagnamento al pianoforte o un lavoro di repertorio focalizzato sul violoncello solista, questa partitura offre una soluzione completa: un materiale chiaro per lo studio individuale, una base affidabile per la prova con pianista e un'organizzazione strumentale pensata per ritrovare poi l'equilibrio e i colori dell'ensemble.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNew Edition\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e44\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello e orchestra d\u0026#039;archi (riduzione per pianoforte con parte solista)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1984\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCello Library\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schott","offers":[{"title":"Default Title","offer_id":54356631191827,"sku":"93149","price":21.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6b3c7417c98aa8a47d5b373d22e9857c42aae67e_CB114_cd9d14fe-a6a4-41a9-9bec-766fb8aa3644.jpg?v=1789422573"},{"product_id":"jobert-robin-con-fuoco-violoncelle-et-piano-193202","title":"Robin - Con Fuoco - Violoncelle et Piano","description":"\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jobert","offers":[{"title":"Default Title","offer_id":54356637417747,"sku":"193202","price":48.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ecd6d5f326889c56e2cc6fec5a85e22c54dba9d2_JJ2089_7491fe09-be12-4e9b-bacd-597c62f32046.jpg?v=1789461604"},{"product_id":"schirmer-suite-420841","title":"Suite","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura classica di \u003cstrong\u003eGian Carlo Menotti\u003c\/strong\u003e mette in risalto un organico particolarmente ricco: \u003cstrong\u003edue violoncelli e pianoforte\u003c\/strong\u003e. L'associazione delle due tessiture di violoncello permette di costruire un vero dialogo, talvolta in imitazione, talvolta in complementarità, mentre il pianoforte apporta la base armonica e la dinamica ritmica necessarie all'insieme. La scrittura invita gli strumentisti a curare l'intonazione e l'unità di timbro tra i due violoncelli, sviluppando al contempo un ascolto attivo per regolare le respirazioni e le fini delle frasi.\u003c\/p\u003e\u003cp\u003eConcepita per la \u003cstrong\u003emusica d'insieme\u003c\/strong\u003e, questa edizione è adatta sia al lavoro in classe (laboratorio di musica da camera, conservatorio, pratica guidata) sia alla preparazione di una performance. I violoncellisti vi troveranno materiale per approfondire la conduzione delle linee, i passaggi all'unisono, le risposte tra le sezioni, così come l'equilibrio con il pianoforte. Il pianista, da parte sua, potrà lavorare sull'accompagnamento in una logica di sostegno e valorizzazione delle voci, al fine di preservare la chiarezza delle texture e la coesione del discorso musicale.\u003c\/p\u003e\u003cp\u003ePubblicato nel \u003cstrong\u003e1986\u003c\/strong\u003e nella collana \u003cstrong\u003eEnsemble\u003c\/strong\u003e, questo set si rivolge ai musicisti in cerca di una \u003cstrong\u003epartitura di musica da camera\u003c\/strong\u003e dal linguaggio accessibile ma esigente sul piano dell'interpretazione. È un'ottima scelta per arricchire un repertorio di duo di violoncelli con pianoforte e per sviluppare i riflessi essenziali: posizionamento ritmico comune, equilibrio dei piani sonori, articolazione e fraseggio condivisi.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGian Carlo Menotti\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassico\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 violoncelli e pianoforte\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e44\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnsemble\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1986\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schirmer","offers":[{"title":"Default Title","offer_id":54356646330643,"sku":"420841","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e4b12e41c3ebb752ca1bb93b252a507dc06ca154_HLE_HL50291680.jpg?v=1789465971"},{"product_id":"edition-breitkopf-molter-j-m-violoncello-concerto-in-c-major-42987","title":"Molter J.M. - Violoncello Concerto In C Major","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura mette in risalto la scrittura di Johann Melchior Molter in un formato destinato al duo violoncello e tastiera. Costituisce un eccellente supporto per lavorare sui fondamenti stilistici della musica barocca: chiarezza degli attacchi, regolarità del tempo, precisione ritmica e senso delle cadenze. Il violoncello vi svolge un ruolo espressivo, con una linea melodica che richiede un'esecuzione curata sia nel legato sia nelle articolazioni più staccate, mentre la tastiera apporta la struttura armonica e lo slancio musicale necessari a un'interpretazione equilibrata.\u003c\/p\u003e\u003cp\u003ePer i musicisti in cerca di repertorio, questa partitura si integra naturalmente in una biblioteca di spartiti per violoncello: permette di variare i grandi classici restando in uno stile immediatamente identificabile. In pratica, è adatta sia al lavoro in duo (messa a punto, respiro comune, equilibrio sonoro) sia alla preparazione di una performance, grazie a una paginazione concisa. È una scelta pertinente per sviluppare l'ascolto reciproco tra strumento melodico e accompagnamento, affinare il fraseggio e acquisire disinvoltura nelle sequenze tipiche del linguaggio barocco.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMolter, Johann Melchior\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello, tastiera\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Breitkopf","offers":[{"title":"Default Title","offer_id":54356657635603,"sku":"42987","price":7.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6fcc23e9e090bb4f4b63609739a3864f9f3b0b6d_UP_EB6613_fea08818-8455-48de-ad93-9612075a06c3.jpg?v=1789465990"},{"product_id":"schott-ligeti-gyorgy-sonate-pour-violoncelle-seul-43484","title":"Ligeti Gyorgy - 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Cello And Piano Guitar Ad Lib.","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eCello music from around the world è una risorsa generosa per arricchire il repertorio \u003cstrong\u003eintermedio\u003c\/strong\u003e del violoncellista con brani provenienti da tradizioni ed estetiche varie. Nello spirito del celebre formato \"Fiddler\", il volume propone una scrittura chiara e orientata alla pratica: una linea melodica per violoncello, elementi di accompagnamento e \u003cstrong\u003eparti facili\u003c\/strong\u003e che permettono di suonare a due violoncelli, rimanendo compatibile con un lavoro accompagnato.\u003c\/p\u003e\u003cp\u003eLa presenza di un \u003cstrong\u003epianoforte d'accompagnamento\u003c\/strong\u003e e di \u003cstrong\u003eaccordature\u003c\/strong\u003e (chitarra ad libitum) facilita l'adattamento a diversi contesti: lezioni individuali, musica da camera, laboratori collettivi o semplice piacere di suonare con un supporto armonico. Il \u003cstrong\u003eCD\u003c\/strong\u003e di performance\/backing rappresenta un grande vantaggio per progredire: aiuta a stabilizzare il tempo, affinare l'ascolto e acquisire sicurezza ritmica in stili contrastanti (reels, melodie, ragtime, tango, canzoni e temi tradizionali).\u003c\/p\u003e\u003cp\u003eLa raccolta comprende \u003cstrong\u003e20 brani\u003c\/strong\u003e : Carolan's Air, Drowsie Maggie, Makin' Whoopee, Paragon Rag, Staten Island, Mrs McLeod's Reel, The Flower of the Quern, On the Balcony, Pastime with good company, Watkins' Ale, Blackberry Blossom, The silver leaves of the poplar tree, The four corners of my handkerchief, We three kings of Orient are, Il est né, le divin enfant, Freylechs from Warsaw, Russian March, Glwysen, La Cucaracha, La Cumparsita. Una prefazione trilingue (Preface\/Préface\/Einführung) apre il volume per guidare l'uso della partitura e del playalong.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTradizionale, Mondo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello (2 violoncelli) e pianoforte, chitarra ad libitum.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eintermedio\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eThe Fiddler Playalong Collection\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e96\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura musiche del mondo (folk, tradizionali, tango, ragtime)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2007\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einglese, francese, tedesco\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":54356661240083,"sku":"89500","price":27.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8e2934b16045f9f28200104b529bc97b3927cc8c_BH11784_2c311a5a-5975-4321-8c05-92f0cf8182a5.jpg?v=1789478561"},{"product_id":"edition-delrieu-feuillard-louis-r-technique-du-violoncelle-vol-2-violoncelle-72970","title":"Feuillard Louis R. - Technique Du Violoncelle Vol.2 - Violoncelle","description":"\u003ch3\u003eRiassunto di questo metodo\u003c\/h3\u003e\u003cp\u003eQuesto metodo di studi progressivi per violoncello, selezionato da Louis R. Feuillard, si rivolge ai violoncellisti che desiderano avanzare passo dopo passo con un materiale collaudato. L'approccio si basa su una progressione pensata per accompagnare lo studente nell'acquisizione dei riflessi fondamentali: stabilità della mano sinistra, precisione nei cambi di posizione, regolarità dell'arco, qualità del suono e controllo dei colpi d'arco. Il contenuto è concepito per integrarsi facilmente in una routine di lavoro, sia in conservatorio, in scuola di musica o con un insegnante privato.\u003c\/p\u003e\u003cp\u003eIl sommario mette in evidenza una selezione di studi ed estratti associati a compositori e pedagoghi imprescindibili, che vanno da Bach a Duport, da Dotzauer a Kreutzer, fino a Kummer e Haydn. Questa diversità permette di affrontare stili e scritture variate pur restando in un quadro \"metodo - studi\" coerente: lavoro della tecnica al servizio della musicalità. Un quaderno particolarmente utile per consolidare le acquisizioni e guadagnare autonomia, volume dopo volume, grazie a una selezione progressiva ed esigente.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLouis R. Feuillard\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e22\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1938\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emetodo - studi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Delrieu","offers":[{"title":"Default Title","offer_id":54356675494163,"sku":"72970","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/66a0193bfddb03f6d0482c3532f049297b5c2ac4_DF518.jpg?v=1789444601"},{"product_id":"edition-max-eschig-de-falla-m-suite-populaire-espagnole-violoncelle-et-piano-99411","title":"DE FALLA M. - SUITE POPULAIRE ESPAGNOLE - VIOLONCELLE ET PIANO","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura propone una trascrizione per \u003cstrong\u003evioloncello e pianoforte\u003c\/strong\u003e tratta dalle \"\u003cstrong\u003eSiete canciones populares españolas\u003c\/strong\u003e\". Vi si ritrova lo spirito delle canzoni popolari: melodie chiare, ritmi caratteristici e un'espressività diretta, mantenendo al contempo una scrittura strumentale curata. Il violoncello ha un ruolo centrale, molto vicino alla voce, con frasi che invitano a lavorare sulla qualità del suono, la conduzione dell'arco e la respirazione musicale. Il pianoforte, invece, non si limita a un semplice accompagnamento: stabilisce i colori, sottolinea le accentuazioni e partecipa pienamente al rilievo ritmico e all'energia dell'insieme.\u003c\/p\u003e\u003cp\u003eQuesta trascrizione firmata \u003cstrong\u003eMaurice Maréchal\u003c\/strong\u003e è particolarmente pertinente per i duo che desiderano affrontare un repertorio di carattere, dove la precisione degli attacchi, la flessibilità del rubato e la gamma dinamica fanno tutta la differenza. In concerto, apporta un tocco di calore e contrasto\u0026#59; nello studio, costituisce un eccellente supporto per affinare l'intonazione, la chiarezza delle articolazioni e l'ascolto reciproco tra i due musicisti.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMaurice Maréchal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVioloncello e pianoforte\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Max Eschig","offers":[{"title":"Default Title","offer_id":54356676903187,"sku":"99411","price":28.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/126ca6c2a50fc8e3fdae21e1eeb2c933948b8d66_ME00171800.jpg?v=1789444566"},{"product_id":"robert-martin-charbonnier-j-l-musique-a-la-cour-d-angleterre-58570","title":"Charbonnier J.L. - Musique A La Cour D'angleterre","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta partitura è concepita sotto forma di concerto: si inserisce in una logica di svolgimento musicale, con una progressione che favorisce l'ascolto, l'organizzazione e la coerenza d'insieme. Questo approccio \"concerto\" è particolarmente apprezzabile quando si cerca un repertorio che si presta naturalmente alla scena, rimanendo al contempo sfruttabile in prova, in laboratorio o in corso collettivo.\u003c\/p\u003e \u003cp\u003eLa presentazione di J. L. Charbonnier offre un'illuminazione che accompagna il musicista nella lettura: contesto, intenzioni, punti di attenzione e riferimenti di lavoro. È un vero valore aggiunto per affrontare la partitura con una direzione chiara, risparmiare tempo in prova e costruire un'interpretazione più compiuta, in particolare sugli equilibri, l'articolazione e la dinamica.\u003c\/p\u003e \u003cp\u003eLa strumentazione indicata associa la voce a strumenti (Instr ZOPC), aprendo la porta a configurazioni di gioco varie a seconda dell'organico disponibile. In pratica, questa combinazione voce + strumenti permette di lavorare sull'intonazione, la proiezione, la precisione ritmica e la musicalità, sviluppando al contempo l'ascolto tra le sezioni e l'interazione con l'accompagnamento.\u003c\/p\u003e \u003cp\u003eSia che siate insegnanti, direttori di gruppo o musicisti alla ricerca di un progetto pronto a prendere vita in concerto, questa partitura costituisce una base solida: valorizza l'interpretazione collettiva e incoraggia una lettura espressiva, al servizio di una prestazione musicale costruita.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVoce, Instr ZOPC\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Robert Martin","offers":[{"title":"Default Title","offer_id":54356678246675,"sku":"58570","price":13.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ef222a338f141d7a651dc76b7ecf1cfb4b172a2b_AZ1667_0021637d-8ef9-4e51-ad2f-45f2c55ff8aa.jpg?v=1789444631"},{"product_id":"robert-martin-bach-j-s-airs-de-bach-viole-de-gambe-148911","title":"Bach J.S. - Airs De Bach - Viole De Gambe","description":"\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Robert Martin","offers":[{"title":"Default Title","offer_id":54356684734739,"sku":"148911","price":30.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d74566d854f058ce512b5ed4b3ec48eedd1d21d1_AZ1264.jpg?v=1789422563"},{"product_id":"heugel-poulenc-francis-serenade-violoncelle-piano-257746","title":"Poulenc Francis - Serenade - Violoncelle \u0026 Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eFrancis Poulenc, nato a Parigi nel 1899, si afferma molto presto come compositore e pianista, con un'estetica volutamente controcorrente rispetto alle eredità wagneriane e ai colori impressionisti associati a Claude Debussy o Maurice Ravel. \"Serenade\", composta originariamente nel 1925-1926 per voce e pianoforte, conosce un vero successo nell'universo delle mélodies di Poulenc, in particolare tramite il ciclo delle \"Bawdy Songs\".\u003c\/p\u003e\u003cp\u003eQuesta edizione propone la versione trascritta per \u003cstrong\u003evioloncello e pianoforte\u003c\/strong\u003e da Maurice Gendron. Il materiale musicale trova qui una nuova respirazione: la linea del violoncello può a turno suggerire la voce, cantare con eleganza, per poi farsi più incisiva a seconda dell'articolazione. Il \u003cstrong\u003e6\/8\u003c\/strong\u003e instaura un'oscillazione caratteristica, mentre le \u003cstrong\u003edoppie corde\u003c\/strong\u003e, i contrasti di fraseggio e lo sfruttamento di un'\u003cstrong\u003eampia tessitura\u003c\/strong\u003e offrono all'interprete un terreno ideale per lavorare sulla proiezione, sul colore e sul rilievo ritmico.\u003c\/p\u003e\u003cp\u003eAl tempo stesso concisa ed espressiva, \"Serenade\" si integra facilmente in un programma di recital, un'audizione o un lavoro di musica da camera. Tra raffinatezza, umorismo discreto e chiarezza del discorso, questa partitura di Poulenc in trascrizione per violoncello e pianoforte costituisce un pezzo di carattere, tanto piacevole da suonare quanto da ascoltare.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrancis Poulenc\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVioloncello e pianoforte\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMaurice Gendron\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heugel","offers":[{"title":"Default Title","offer_id":54356686733587,"sku":"257746","price":15.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7ce9c5df162f9bef341e1a6a36f2cbe3730ec3b4_HL_ALHE31361.jpg?v=1789465899"},{"product_id":"barenreiter-bach-j-s-three-sonatas-for-violoncello-and-harpsichord-bwv-1027-1029-299708","title":"Bach J.S. - Three Sonatas For Violoncello And Harpsichord BWV 1027-1029","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eBach, Johann Sebastian\u003cbr \/\u003eThree Sonatas for Violoncello and Harpsichord\u003cbr \/\u003eaccording to BWV 1027-1029\u003cbr \/\u003e\u003cbr \/\u003eEditor Eppstein, Hans\u003c\/p\u003e\u003cp\u003eQuesta partitura riunisce tre sonate essenziali di Johann Sebastian Bach, pensate per un vero lavoro di musica da camera tra violoncello e clavicembalo. Il percorso proposto, \"according to BWV 1027-1029\", copre opere molto complementari: frasi lunghe da costruire con respiro, un contrappunto da chiarire e un'organizzazione che richiede una coordinazione precisa tra i due interpreti. È un supporto particolarmente pertinente per affinare lo stile barocco (articolazioni, ornamenti, equilibrio delle voci) sviluppando al contempo la stabilità ritmica e l'espressività. Che stiate preparando una lezione, un'audizione o un concerto, questa raccolta si inserisce naturalmente tra le partiture di riferimento per violoncello e clavicembalo intorno a Bach.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohann Sebastian Bach\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello e clavicembalo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHans Eppstein (editore)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura classica (musica barocca)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356687094035,"sku":"299708","price":26.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/baba008486a4ee205c76d1387a04c1071a9e0bd9_BA5210.jpg?v=1789422583"},{"product_id":"henle-verlag-beethoven-l-v-variations-for-piano-and-violoncello-60551","title":"Beethoven L.V. - Variations For Piano And Violoncello","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eAlla fine del XVIII secolo, le variazioni su temi \"alla moda\", spesso presi in prestito da opere contemporanee, incontrano un notevole successo. Il giovane Beethoven si inserisce pienamente in questa tradizione proponendo tre cicli di variazioni per violoncello e pianoforte, scritti su melodie immediatamente riconoscibili: due provengono da \u003cstrong\u003e\"Zauberflöte\"\u003c\/strong\u003e (Il flauto magico) di Mozart, e la terza da un tema tratto dall'oratorio \u003cstrong\u003e\"Judas Maccabäus\"\u003c\/strong\u003e di Haendel.\u003c\/p\u003e\u003cp\u003eNon si sa se queste opere rispondano a una commissione o a una circostanza precisa, ma la loro ricezione fu molto favorevole: il numero significativo di ristampe dell'epoca testimonia la loro popolarità sin dalla pubblicazione. Musicalmente, Beethoven vi dispiega già una scrittura inventiva e contrastata, alternando virtuosismo, eleganza del discorso e senso del dialogo tra violoncello e pianoforte. Il tema è prima esposto con chiarezza, poi trasformato attraverso variazioni che esplorano a turno l'articolazione, il fraseggio, i colori armonici e l'energia ritmica.\u003c\/p\u003e\u003cp\u003eQuesta edizione raccoglie le tre opere seguenti (titoli conservati): \u003cstrong\u003e12 Variations on \"Ein Mädchen oder Weibchen\" from Mozart's \"Zauberflöte\" F major op. 66\u003c\/strong\u003e, \u003cstrong\u003e12 Variations on a theme from Händel's Oratorio \"Judas Maccabäus\" G major WoO 45\u003c\/strong\u003e, \u003cstrong\u003e7 Variations on \"Bei Männern, welche Liebe fühlen\" from Mozart's \"Zauberflöte\" E flat major WoO 46\u003c\/strong\u003e. La revisione proposta si basa su dati musicologici aggiornati, tratti dal commento critico dell'edizione completa delle opere di Beethoven, al fine di offrire un testo musicale coerente sia per lo studio che per il palcoscenico. La copertina rilegata infine rafforza il comfort d'uso quotidiano, sia al leggio, in prova o in lezione.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBeethoven, Ludwig van\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVioloncello e pianoforte\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eZimmermann, Ewald\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Henle Verlag","offers":[{"title":"Default Title","offer_id":54356697481491,"sku":"60551","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d4a476d0c2d8a333ec6b644b354a7ac021cd64a1_HN913.jpg?v=1789422510"},{"product_id":"edition-delrieu-sammini-sonate-en-sol-maj-violoncelle-piano-72158","title":"Sammini - Sonate En Sol Maj. - Violoncelle Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta partitura di Sammartini è dedicata alla pratica del violoncello con accompagnamento di pianoforte, una configurazione imprescindibile per sviluppare l'intonazione, la respirazione musicale e la coesione ritmica. Il dialogo tra i due strumenti permette di lavorare la conduzione della linea al violoncello appoggiandosi su una base armonica solida, ideale per affinare l'intonazione e la proiezione del suono.\u003c\/p\u003e \u003cp\u003eIn uno spirito classico, questa edizione si integra facilmente in un percorso pedagogico: è adatta tanto allo studio delle dinamiche e dei contrasti quanto all'implementazione di un gioco espressivo e preciso. In prova, favorisce l'apprendimento degli ingressi, delle fini frase e dell'equilibrio sonoro, per un risultato musicale compiuto durante un'audizione o una performance in duo.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSammartini\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassico\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello e pianoforte\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapr.-59\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Delrieu","offers":[{"title":"Default Title","offer_id":54356698628371,"sku":"72158","price":18.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/368a68b59c4539d6b743802179af6b4fc6f89ca6_9790231705232.jpg?v=1789465991"},{"product_id":"jobert-roche-au-fil-des-pas-violoncelle-193152","title":"Roche - 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Il primo movimento, \u003cstrong\u003eGiardino inglese\u003c\/strong\u003e, dispiega un'atmosfera tenera e malinconica: ombre di alberi secolari, sentieri curvi e rovine \"sognate\" si traducono in un \u003cstrong\u003eAdagio contrappuntistico\u003c\/strong\u003e dove la nostalgia del tempo che fugge affiora in ogni frase.\u003c\/p\u003e\u003cp\u003eIl secondo movimento, \u003cstrong\u003eGiardino giapponese\u003c\/strong\u003e, si presenta come un pezzo breve, alla maniera di un \u003cstrong\u003eHaiku\u003c\/strong\u003e enigmatico. I silenzi vi giocano un ruolo fondamentale, articolando la forma e la respirazione musicale. La scrittura esplora effetti di timbro e attacco, con \u003cstrong\u003erimbalzi d'arco\u003c\/strong\u003e, \u003cstrong\u003eglissandi di armonici\u003c\/strong\u003e e armonie che si addensano progressivamente \"a quattro poi sei voci\". Un \u003cstrong\u003evioloncello solo\u003c\/strong\u003e colora l'insieme con una voce più nasale e vibrata, come un canto interiore, immergendo l'ascoltatore in una meditazione profonda.\u003c\/p\u003e\u003cp\u003eIl finale, \u003cstrong\u003eGiardino francese\u003c\/strong\u003e, afferma un carattere più brillante: simmetria, prospettive e aiuole \"a ricami\" ispirano una musica nervosa e luminosa. Dopo una breve introduzione marcata dal ritmo puntato \"alla francese\", il pezzo si lancia in un \u003cstrong\u003eAllegro con brio\u003c\/strong\u003e costruito attorno ai giochi d'acqua: velocità, spazio, volume e zampilli orchestrali si rispondono per concludere l'opera con una celebrazione della gioia e della luce.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGuillaume Connesson\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Billaudot","offers":[{"title":"Default Title","offer_id":54356704821523,"sku":"285270","price":44.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2da87838d2a7a5337562a81b05bc657466ffb442_GB9975.jpg?v=1789444563"},{"product_id":"chester-music-how-i-play-how-i-teach-421098","title":"How I Play How I Teach","description":"\u003ch3\u003eRiassunto di questa raccolta\u003c\/h3\u003e \u003cp\u003eQuesta raccolta pedagogica per violoncello pone l'accento sui fondamenti indispensabili a una pratica solida e musicale. Nello spirito delle grandi metodologie di formazione, accompagna l'esecutore nella costruzione della sua tecnica, con un lavoro progressivo volto all'intonazione, alla qualità del suono, al controllo dell'arco e alla coordinazione mano sinistra\/mano destra.\u003c\/p\u003e \u003cp\u003eProgettata per integrarsi facilmente in un programma di lezioni, è adatta sia all'insegnamento che al lavoro personale. Si utilizza per rafforzare gli automatismi, migliorare la precisione ritmica e sviluppare un'articolazione più nitida, mantenendo sempre l'obiettivo centrale della musicalità. Le indicazioni in inglese facilitano il suo utilizzo in un contesto di apprendimento internazionale, conservando un vocabolario chiaro legato alla pedagogia strumentale.\u003c\/p\u003e \u003cp\u003eSia che siate studenti di conservatorio, violoncellisti amatoriali in ripresa o insegnanti alla ricerca di un supporto strutturante, questa raccolta costituisce una base di lavoro pertinente per radicare i giusti riflessi e acquisire fiducia nello strumento. Si inserisce naturalmente in una routine di studio, in complemento al repertorio e agli studi, per far progredire la postura, la sonorità e il controllo del gesto.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePaul Tortelier\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnglish\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCello\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e128\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedagogia\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1992\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Chester Music","offers":[{"title":"Default Title","offer_id":54356714881299,"sku":"421098","price":34.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/239c39a16df14f6041e734bdf2c16f0ffcee4d18_HLE_MUSCB55403_ead7d489-939a-41a2-8896-87e9679284bc.jpg?v=1789453072"},{"product_id":"emb-editio-musica-budapest-pieces-for-two-and-three-violoncellos-99336","title":"Pieces For Two And Three Violoncellos","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta raccolta, pubblicata nell'ottobre 1974, si rivolge ai violoncellisti che desiderano arricchire la loro pratica della musica da camera grazie a pezzi a vocazione pedagogica. Progettata per essere suonata da due violoncelli o più, permette di lavorare sulla coesione d'insieme mantenendo un approccio musicale e \"concertante\". La formazione modulabile apre la porta a numerose situazioni: lezioni in duo, lavoro in sezione, piccoli ensemble di violoncelli o progetti collettivi al conservatorio e nella scuola di musica. Appartenente alla serie Early Chamber Music, questa partitura si inserisce in uno spirito di repertorio da camera accessibile, utile per costruire le basi dell'ascolto e della precisione ritmica, e per imparare a modellare l'equilibrio tra le voci. Con le sue indicazioni in tre lingue (ungherese, inglese, tedesco), è adatta sia allo studio che alla preparazione di esibizioni pedagogiche.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePejtsik Árpád\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eungherese, inglese, tedesco\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 violoncelli o più\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e52\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEarly Chamber Music\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1974\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedagogical performance pieces\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"EMB (Editio Musica Budapest)","offers":[{"title":"Default Title","offer_id":54356717469971,"sku":"99336","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4285d943a08c4f4241b18724ad74a5f9fc630bb3_D81546900_6aaf9f56-d939-4f5f-a406-8404ba5666a2.jpg?v=1789465939"},{"product_id":"schirmer-high-school-of-cello-playing-40-etudes-op-73-420838","title":"High School of Cello Playing (40 Etudes) Op. 73","description":"\u003ch3\u003eRiassunto di questo metodo\u003c\/h3\u003e \u003cp\u003ePensato per i violoncellisti che desiderano rafforzare le loro basi e acquisire sicurezza, questa raccolta si inserisce in un approccio chiaramente orientato alla \u003cstrong\u003epedagogia\u003c\/strong\u003e. La scrittura di David Popper mette l'accento sul lavoro del gesto strumentale mantenendo un obiettivo musicale: fraseggio, articolazione, controllo dell'arco e omogeneità del suono sono affrontati attraverso pagine progettate per far progredire efficacemente.\u003c\/p\u003e \u003cp\u003eIn un contesto \"string solo\", questo contenuto si presta particolarmente al lavoro individuale: permette di costruire una tecnica affidabile, stabilizzare l'intonazione in diversi registri e migliorare la coordinazione mano sinistra-mano destra. Che lo utilizziate per preparare una lezione, completare un programma di studi o semplicemente mantenere il vostro livello, questa raccolta costituisce un supporto solido per avanzare in modo strutturato, con obiettivi chiari e misurabili.\u003c\/p\u003e \u003cp\u003ePubblicato in \u003cstrong\u003einglese\u003c\/strong\u003e, si integra facilmente in una biblioteca di spartiti e metodi per violoncello, ed è adatto sia agli studenti motivati sia agli strumentisti che desiderano riprendere una pratica regolare con un materiale tecnico esigente e formativo.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDavid Popper\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnglish\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCello\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e88\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eString Solo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1986\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedagogia\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schirmer","offers":[{"title":"Default Title","offer_id":54356728348947,"sku":"420838","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ee2f0e7e98bf5cc3665fbf432f1049600e550b22_HLE_HL50262550.jpg?v=1789452975"},{"product_id":"jobert-paulet-hyperbole-violoncelle-193164","title":"Paulet - Hyperbole - Violoncelle","description":"\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jobert","offers":[{"title":"Default Title","offer_id":54356740833555,"sku":"193164","price":14.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1d4a8b77fa8a611882cdafa2dc3c50e218803792_JJ2033.jpg?v=1789465881"},{"product_id":"henle-verlag-schumann-r-adagio-und-allegro-fur-horn-op-70-version-violoncelle-207165","title":"Schumann R. - Adagio Und Allegro Fur Horn (op.70) - Version Violoncelle","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eAdagio and Allegro for Piano and Horn, op. 70\u003c\/strong\u003e\u003cbr \/\u003eVersione per Violoncello\u003cbr \/\u003eKlavierauszug mit Solostimme - St - pianoforte e violoncello\u003cbr \/\u003eDitatura: Hess, Sebastian, Schilde, Klaus\u003cbr \/\u003eEditore: Herttrich, Ernst\u003c\/p\u003e\u003cp\u003eQuesta edizione propone una lettura musicale equilibrata tra canto e virtuosismo, con un \u003cstrong\u003eAdagio\u003c\/strong\u003e espressivo che valorizza la qualità del suono, la tenuta dell'arco e la conduzione della frase, seguito da un \u003cstrong\u003eAllegro\u003c\/strong\u003e più animato che richiede precisione ritmica, articolazione e slancio. La scrittura, inizialmente pensata per uno strumento a fiato, assume qui un colore particolarmente vocale al violoncello, ideale per sviluppare il legato, i cambi di posizione e la proiezione del tema.\u003c\/p\u003e\u003cp\u003eIl formato \u003cstrong\u003epianoforte + parte solista\u003c\/strong\u003e facilita il lavoro in prova e in lezione: il pianista dispone di un accompagnamento costruito e dinamico, mentre il violoncellista beneficia di una parte dedicata, leggibile e pratica. Le \u003cstrong\u003editature\u003c\/strong\u003e aggiunte offrono punti di riferimento concreti per stabilizzare i passaggi tecnici, scegliere soluzioni di esecuzione coerenti e risparmiare tempo durante l'apprendimento, senza sostituire la propria riflessione musicale. Una partitura pertinente per affrontare lo stile romantico con rigore, sia in preparazione al palcoscenico sia in un percorso conservatoriale.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epianoforte e violoncello\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Henle Verlag","offers":[{"title":"Default Title","offer_id":54356742177043,"sku":"207165","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5dc3bbff2a4ffa4dc137e5628b0d22a1eb5917e3_HL_HN1024_cf4f9b94-d7cd-422e-8b19-d1d7a1eeb7ae.jpg?v=1789466009"},{"product_id":"salabert-milhaud-d-concerto-n-1-op-136-violoncelle-et-piano-99438","title":"MILHAUD D. - CONCERTO N 1 OP 136 - VIOLONCELLE ET PIANO","description":null,"brand":"Salabert","offers":[{"title":"Default Title","offer_id":54356742308115,"sku":"99438","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/35817dd1a1e7e83e4fdc9858ca2600b59783e1c4_PARTOCHE.jpg?v=1789465949"},{"product_id":"barenreiter-elgar-e-konzert-fur-violoncello-und-orchester-op-85-violoncelle-et-piano-240996","title":"Elgar E. - Konzert Fur Violoncello Und Orchester Op.85 - Violoncelle et Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eSpesso considerata l'ultima grande partitura di Edward Elgar, il Concerto per violoncello si distingue per la sua rara combinazione di sobrietà formale e carica emotiva. L'opera cattura fin dalle prime battute con un gesto musicale diretto, quasi come un atto di parola, prima di sviluppare un racconto fatto di contrasti, slanci trattenuti e atmosfere introspettive. Questa scrittura, al contempo chiara e profondamente espressiva, spiega perché questo concerto occupa un posto centrale nel repertorio: non cerca l'effetto, ma la verità del canto e la forza del sottotesto.\u003c\/p\u003e \u003cp\u003eNel corso dei movimenti, il violoncello alterna lirismo e tensione, con un'attenzione particolare alla continuità del fraseggio, alla densità del timbro e alla gestione delle transizioni. I temi si rispondono con logica, lasciando emergere un'emozione a fior di pelle, rendendo questa partitura tanto appassionante da studiare quanto da interpretare. Per il musicista, è un'occasione ideale per lavorare sulla proiezione del suono, sulle sfumature lunghe, sui cambi d'arco al servizio della linea, nonché sull'arte di far vivere i silenzi e le sospensioni. Un riferimento per ogni violoncellista attratto dalla musica romantica tardiva e dalle opere in cui la narrazione musicale prevale sulla virtuosità dimostrativa.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEdward Elgar\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura classica\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello e orchestra\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356746567955,"sku":"240996","price":23.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e747df3d69eac4a66a5e5dbb2567e616e71f7d76_HL_BA9040_90.jpg?v=1789444572"},{"product_id":"chant-du-monde-prokofiev-s-sonate-op-119-violoncelle-et-piano-92844","title":"Prokofiev S. - Sonate Op. 119 - Violoncelle et Piano","description":"\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Chant Du Monde","offers":[{"title":"Default Title","offer_id":54356755808531,"sku":"92844","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/eee40327b1ba3ee7e2a22d72d67f8452afd01366_UP_CDMVC571_9e3291bb-bf30-4b86-880f-c74221fbe54e.jpg?v=1789466024"},{"product_id":"edition-breitkopf-singende-saiten-3-cello-105561","title":"Singende Saiten 3 - 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Questo terzo volume accompagna lo studente di violoncello in una fase di progressione in cui l'intonazione, la padronanza dell'arco e la stabilità ritmica diventano centrali, mantenendo al contempo un'importanza significativa all'ascolto e al fraseggio.\u003c\/p\u003e\u003cp\u003eProgettato per integrarsi facilmente in una routine di lezioni e di pratica personale, questo quaderno per violoncello permette di avanzare in modo coerente: si ricerca un'esecuzione più sicura, una migliore omogeneità di sonorità e un'interpretazione più compiuta. L'organizzazione editoriale firmata Felix Forrer favorisce una lettura chiara e un utilizzo fluido, rendendolo una scelta pertinente per gli studenti in corso di studi, i professori e chiunque desideri rafforzare le proprie basi con un metodo progressivo.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eForrer, Felix (editore)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSingende Saiten\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVioloncello\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Breitkopf","offers":[{"title":"Default Title","offer_id":54356758528275,"sku":"105561","price":24.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/04bcb83de6b78514566a6f858bd552fb8f595a0f_HLE_BRKMN9593C.jpg?v=1789465967"},{"product_id":"edition-breitkopf-schumann-5-stuecke-im-volkston-op-102-violoncelle-et-piano-94062","title":"Schumann - 5 Stuecke Im Volkston Op. 102 - Violoncelle et Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e  \u003cp\u003eComposte nel 1849, gli \"Stuecke im Volkston Op. 102\" costituiscono l'unica opera originale di Robert Schumann ancora conservata per violoncello e pianoforte. Questi pezzi, concepiti come brillanti quadri caratteriali, valorizzano la ricchezza espressiva del violoncello affidando al pianoforte un ruolo pienamente partner, talvolta motore ritmico, talvolta sostegno armonico e coloristico. L'insieme offre un terreno ideale per lavorare la sfumatura, l'articolazione, il canto interiore e il senso del racconto musicale, in un'estetica tipicamente romantica.\u003c\/p\u003e  \u003cp\u003eQuesta edizione testo-critica si basa su due fonti principali: la prima edizione pubblicata nel 1851 e il manoscritto autografo. Questo doppio ancoraggio garantisce una lettura musicale attenta ai dettagli della scrittura (dinamiche, fraseggi, indicazioni espressive), rispettando al contempo l'intenzione del compositore. Una prefazione sostanziale completa la partitura apportando un'illuminazione precisa sul contesto di composizione, nonché sulla ricezione dell'opera, un vantaggio apprezzabile per l'interpretazione e la comprensione stilistica.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRobert Schumann\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello e pianoforte\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Breitkopf","offers":[{"title":"Default Title","offer_id":54356761018643,"sku":"94062","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/adb2f277630166299fe833b1ab04184be465cf23_MDS_9790004177525.jpg?v=1789466022"},{"product_id":"combre-auber-chantal-tiarella-violoncelle-et-piano-192516","title":"Auber Chantal - Tiarella - Violoncelle et Piano","description":"\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Combre","offers":[{"title":"Default Title","offer_id":54356762198291,"sku":"192516","price":13.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c1ee4ddc4d18a460c79e672a0580f16817a6ea12_HEX_TIARELLA.jpg?v=1789422586"},{"product_id":"robert-martin-charbonnier-j-l-decouverte-de-la-viole-de-gambe-58170","title":"Charbonnier J.L. - Decouverte De La Viole De Gambe","description":"\u003ch3\u003eRiassunto di questo spartito\u003c\/h3\u003e\u003cp\u003eQuesto spartito di Jean-Louis Charbonnier si rivolge ai musicisti che desiderano interpretare un brano concepito per la strumentazione indicata \"VdG\". Costituisce un supporto pertinente per affrontare il lavoro dell'opera in modo strutturato: lettura, messa in prova, articolazione e costruzione musicale. Che stiate preparando una sessione di prova, una lezione o una performance, questo tipo di edizione permette di concentrarsi sull'essenziale: comprendere la scrittura, stabilizzare i riferimenti e sviluppare un'interpretazione omogenea.\u003c\/p\u003e\u003cp\u003eNel corso del lavoro, questo spartito incoraggia un approccio musicale completo: stabilire un tempo solido, curare gli attacchi, equilibrare le dinamiche e chiarire le frasi. È particolarmente adatto ai musicisti che cercano uno spartito pratico, orientato al progresso e all'efficacia al leggio, lasciando spazio alla sensibilità e alle scelte interpretative. Per garantire una compatibilità perfetta con il vostro ensemble, fate riferimento all'indicazione di strumentazione \"VdG\" durante la preparazione.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCharbonnier Jean-Louis\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVdG\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Robert Martin","offers":[{"title":"Default Title","offer_id":54356771504403,"sku":"58170","price":32.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5d6457b1a179e32234aef7fa7c4b5c9e9add5e01_AZ1405_771f9b65-ecde-48df-9aec-a069d0b04ca2.jpg?v=1789444640"},{"product_id":"hal-leonard-bosso-ezio-3-pieces-for-cello-piano-391564","title":"Bosso Ezio- 3 Pieces For Cello \u0026 Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesto volume raccoglie, per il duo violoncello e pianoforte, una selezione di opere emblematiche di Ezio Bosso in una prima edizione dedicata a questa formazione. Pensata per valorizzare il dialogo tra la linea lirica del violoncello e la ricchezza armonica del pianoforte, questa partitura si rivolge tanto agli interpreti in cerca di un repertorio contemporaneo accessibile quanto ai musicisti che desiderano proporre una musica immediatamente evocativa in recital, audizione o concorso.\u003c\/p\u003e \u003cp\u003ePunto di forza dell'opera, \"Unconditioned (Following a Bird)\" vi figura in una versione per violoncello e pianoforte, in eco alla sua pubblicazione discografica nell'album \"...?And The Things That Remain\" (2016). Vi si ritrova l'estetica singolare del compositore: motivi chiari, una progressione emotiva molto costruita e un senso della frase che invita a lavorare sulla respirazione, la conduzione delle dinamiche e la qualità del legato.\u003c\/p\u003e \u003cp\u003eQuesto titolo si inserisce inoltre in un progetto editoriale condotto congiuntamente da Buxus Editions e Hal Leonard Europe, con l'ambizione di pubblicare l'integralità delle composizioni del Maestro Bosso per ensemble strumentale di musica da camera. Un'opera imprescindibile per costituire una biblioteca di partiture attuale, centrata su un repertorio moderno, espressivo e decisamente musicale.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEzio Bosso\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello e pianoforte\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtista\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEzio Bosso\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eProgetto editoriale Buxus Editions e Hal Leonard Europe (opere di musica da camera di Ezio Bosso)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBuxus Editions; Hal Leonard Europe\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura di musica da camera\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hal Leonard","offers":[{"title":"Default Title","offer_id":54356780941587,"sku":"391564","price":16.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4f8911f1794ca4f3f93843ab91f41303237c43a5_HLE128.jpg?v=1789440272"},{"product_id":"chester-music-7-papillons-for-solo-cello-421146","title":"7 Papillons For Solo Cello","description":"\u003ch3\u003eRiassunto di questa raccolta\u003c\/h3\u003e \u003cp\u003eQuesta raccolta per violoncello mette in risalto l'universo singolare di Kaija Saariaho, figura di spicco della creazione contemporanea. La scrittura privilegia il colore, la risonanza e la precisione del gesto strumentale, con un'attenzione particolare alle sfumature, agli equilibri e alla continuità del suono. Grazie al suo formato breve (12 pagine), si integra facilmente in una routine di lavoro quotidiana, proponendo al contempo un materiale musicale sufficientemente ricco per sviluppare l'ascolto, la qualità dell'arco e la padronanza delle dinamiche.\u003c\/p\u003e \u003cp\u003eConcepita per violoncellisti curiosi di esplorare un linguaggio moderno, questa raccolta costituisce un supporto pertinente per approfondire la lettura ritmica e l'interpretazione di una notazione attuale. A seconda del contenuto musicale, può anche invitare a curare l'intonazione in contesti armonici meno tradizionali e ad affinare la gestione delle respirazioni musicali. Una partitura da considerare sia come studio che come pezzo da concerto, per apportare un tocco contemporaneo ed espressivo alla vostra biblioteca di partiture per violoncello.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eKaija Saariaho\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVioloncello\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2002\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Chester Music","offers":[{"title":"Default Title","offer_id":54356829569299,"sku":"421146","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/46b4372583a512dc2f436fd52af0a981239de727_HLE_MUSCH62150.jpg?v=1789422507"},{"product_id":"alfred-publishing-suzuki-cello-school-cello-part-vol-2-80147","title":"Suzuki - 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Una partitura da considerare per diversificare i propri pezzi di studio e affrontare una scrittura attuale con una presentazione curata e leggibile.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNODAIRA Ichiro\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 (A3)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2006\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtemporaneo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54356854112531,"sku":"72112","price":14.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ea3975b6907520839d1c7ec3f91b750065ede035_HEXA28492_a135e645-d943-498b-b1d6-625697f32bee.jpg?v=1789465985"},{"product_id":"simrock-bach-j-s-suite-no-6-in-g-major-bwv-1012-cello-43640","title":"Bach J.S. - Suite No.6 In G Major BWV 1012 - Cello","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta partitura propone una \u003cstrong\u003etrascrizione in sol maggiore\u003c\/strong\u003e concepita per sfruttare le dimensioni \u003cstrong\u003etonali\u003c\/strong\u003e e \u003cstrong\u003etecniche\u003c\/strong\u003e di un \u003cstrong\u003evioloncello a 4 corde\u003c\/strong\u003e. L'obiettivo è rendere la scrittura particolarmente naturale sotto le dita, mantenendo al contempo l'esigenza musicale e la logica strumentale attese nel grande repertorio per violoncello. Questa adattamento permette in particolare di lavorare sulla proiezione, la stabilità degli accordi e la chiarezza delle linee, con una tessitura e dei punti di appoggio meglio allineati al funzionamento standard dello strumento.\u003c\/p\u003e \u003cp\u003eIdentificata con la dicitura \u003cstrong\u003eBWV 1012\u003c\/strong\u003e, questa edizione si inserisce in un approccio sia pratico che musicale: facilita l'esplorazione del testo attraverso una tonalità che favorisce le corde vuote, la risonanza e la leggibilità armonica. 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Destinato a strumentisti già tecnicamente solidi, questa pubblicazione pone l'accento sulle situazioni più formative del repertorio: concatenazioni di posizioni, stabilità della mano sinistra, intonazione negli intervalli e padronanza della frase musicale.\u003c\/p\u003e\u003cp\u003eNel corso delle pagine, il lavoro si concentra su una \u003cstrong\u003egrande varietà di modelli di diteggiature\u003c\/strong\u003e in armonie maggiori e minori associate. L'obiettivo è duplice: sviluppare la logica del manico (anticipazione, scelta delle posizioni, coerenza delle estensioni) e arricchire la palette di soluzioni secondo il tempo, l'articolazione o il colore ricercato. Gli \u003cstrong\u003eesercizi sulla posizione del pollice\u003c\/strong\u003e offrono un quadro progressivo per garantire l'accesso sicuro al registro acuto, mentre i numerosi \u003cstrong\u003edoppio stop\u003c\/strong\u003e rafforzano l'equilibrio tra mano sinistra e mano destra e l'ascolto armonico.\u003c\/p\u003e\u003cp\u003eQuesta edizione firmata \u003cstrong\u003eBärenreiter\u003c\/strong\u003e, in \u003cstrong\u003eedizione critica\u003c\/strong\u003e, è curata da \u003cstrong\u003eValerie Walden\u003c\/strong\u003e. Propone \u003cstrong\u003esegni di curvatura\u003c\/strong\u003e e \u003cstrong\u003editeggiature moderne\u003c\/strong\u003e, sia originali che alternative, per offrire a studenti e insegnanti opzioni pertinenti secondo le scuole di esecuzione e le morfologie. Le pagine apribili migliorano il comfort di lettura sul leggio, particolarmente apprezzabile per un lavoro tecnico continuo.\u003c\/p\u003e\u003cp\u003eComposti da \u003cstrong\u003eRobert Lindley\u003c\/strong\u003e (1776-1855), figura di rilievo del violoncello in Inghilterra e primo professore di violoncello alla Royal Academy of Music di Londra (nominato nel 1822), questi capricci ed esercizi si inseriscono in una tradizione in cui la tecnica serve la chiarezza del discorso musicale. 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Nocturne Op. 19 N. 4 - Violoncelle et Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura, pubblicata da \u003cstrong\u003ePejtsik Árpád\u003c\/strong\u003e, fa parte della serie \u003cstrong\u003eMoments Musicaux for Violoncello\u003c\/strong\u003e e propone un brano (o un estratto) dal carattere decisamente \u003cstrong\u003eromantico\u003c\/strong\u003e per \u003cstrong\u003evioloncello e pianoforte\u003c\/strong\u003e. La scrittura privilegia una linea melodica lirica, favorevole allo sviluppo della sonorità, della respirazione musicale e dell'espressività.\u003c\/p\u003e\u003cp\u003eDal punto di vista dell'interpretazione, costituisce un eccellente supporto per lavorare il \u003cstrong\u003efraseggio\u003c\/strong\u003e, le \u003cstrong\u003etransizioni di dinamica\u003c\/strong\u003e e la stabilità del tempo in un contesto di duo. Il pianista accompagna in modo strutturante, permettendo al violoncellista di concentrarsi sull'intonazione, la proiezione e la conduzione della frase. Grazie al suo volume conciso, questa partitura trova facilmente spazio in una lezione, in una sessione di lettura o come brano breve da inserire in un programma di concerto.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePejtsik Árpád\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eromantico\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello e pianoforte\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMoments Musicaux for Violoncello\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1988\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"EMB (Editio Musica Budapest)","offers":[{"title":"Default Title","offer_id":54356911751443,"sku":"54154","price":6.59,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3eda5a37871626040ddeb08c9685f076726af51c_D83914200_2c2141a1-a3af-40ea-bcbe-827956dd4e87.jpg?v=1789478647"},{"product_id":"hal-leonard-101-classical-themes-for-cello-391659","title":"101 Classical Themes For Cello","description":"\u003ch3\u003eRiassunto di questa raccolta\u003c\/h3\u003e\u003cp\u003eQuesta vasta raccolta mette a disposizione degli strumentisti una selezione di \u003cstrong\u003e101 temi classici\u003c\/strong\u003e tra i più riconosciuti. L'obiettivo è semplice: permettervi di ritrovare, in un unico volume, melodie immediatamente identificabili e piacevoli da suonare, sia per esercitarsi quotidianamente sia per avere una \"scorta\" di brani da proporre in qualsiasi momento.\u003c\/p\u003e\u003cp\u003eIncontrerete arie emblematiche e passaggi diventati imprescindibili, come \u003cstrong\u003e\"Canon in D\"\u003c\/strong\u003e, \u003cstrong\u003e\"Clair de Lune\"\u003c\/strong\u003e, \u003cstrong\u003e\"Für Elise\"\u003c\/strong\u003e, \u003cstrong\u003e\"Ode to Joy\"\u003c\/strong\u003e, \u003cstrong\u003e\"Eine Kleine Nachtmusik\"\u003c\/strong\u003e (estratto dal 1deg movimento), \u003cstrong\u003e\"The Flight of the Bumblebee\"\u003c\/strong\u003e, \u003cstrong\u003e\"Gymnopédie No. 1\"\u003c\/strong\u003e, \u003cstrong\u003e\"Jesu, Joy of Man's Desiring\"\u003c\/strong\u003e, così come temi famosi di balletti e ouverture quali \u003cstrong\u003e\"Dance of the Sugar Plum Fairy\"\u003c\/strong\u003e, \u003cstrong\u003e\"Theme from Swan Lake\"\u003c\/strong\u003e, \u003cstrong\u003e\"1812 Overture\"\u003c\/strong\u003e o \u003cstrong\u003e\"William Tell Overture\"\u003c\/strong\u003e. Il programma comprende inoltre pagine molto utilizzate durante eventi (ad esempio \u003cstrong\u003e\"Wedding March\"\u003c\/strong\u003e ) e melodie cantabili come \u003cstrong\u003e\"Ave Maria\"\u003c\/strong\u003e o \u003cstrong\u003e\"Pie Jesu\"\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eGrazie a questa varietà, la raccolta è adatta sia allo studio del \u003cstrong\u003erepertorio classico\u003c\/strong\u003e sia alla preparazione di momenti musicali: bis, audizioni, lezioni, esami o semplice pratica personale. 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Manca - Le Chant du Loup","description":"\u003cp\u003e\u003cstrong\u003eL'essenziale da sapere sulla partitura \"Le Chant du Loup\"\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003eStrumento:\u003c\/strong\u003e Violoncello solo\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLivello:\u003c\/strong\u003e 5. Molto difficile\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Jérémy Manca\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eDal violoncello barocco alle scritture solistiche di oggi\u003c\/h3\u003e\u003cp\u003eDa quando Bach compose le Suites, il violoncello si è imposto come strumento solista capace di unire canto e potenza. Nei secoli XX e XXI, il suo linguaggio si è arricchito di metriche irregolari, di contrasti dinamici marcati e di una tavolozza di colori ampliata. Creato durante il concerto dei Laureati dell'IESM nel 2021, \"Le Chant du Loup\" si inserisce in questa filiazione contemporanea dando al violoncello un ruolo da narratore: una voce al tempo stesso lirica, incisiva e decisamente moderna.\u003c\/p\u003e\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003e\"Le Chant du Loup\" esplora la diversità dei timbri e degli affetti del violoncello solo. Ampie linee melodiche si dispiegano e si scontrano con ritmi asimmetrici, creando un rilievo sorprendente tra canto interiore ed energia motrice. La scrittura richiede una grande padronanza del legato, una proiezione solida, un senso acuto della pulsazione irregolare e una precisione millimetrica negli accenti. I contrasti di registro e dinamica strutturano un discorso teso, ideale per un recital o un concorso in cui si desidera rivelare la ricchezza espressiva e la potenza ritmica dello strumento. In 9 pagine, l'opera propone una traiettoria drammatica compatta ed efficace, edita con la cura caratteristica delle Éditions Combre.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTitolo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLe Chant du Loup\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTipo di prodotto\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJérémy Manca\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5. 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La menzione di categoria \"\u003cstrong\u003evioloncello o 2 violoncelli e pianoforte\u003c\/strong\u003e\" evidenzia una pratica aperta, adatta sia al gioco in formazione ridotta sia a un approccio più cameristico, con una tastiera (pianoforte) quando questa opzione è scelta. Un supporto chiaro per approfondire il linguaggio musicale del violoncello, consolidare la lettura e guadagnare autonomia nel lavoro quotidiano.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello o 2 violoncelli e pianoforte; violoncello solo e basso\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Ricordi","offers":[{"title":"Default Title","offer_id":54356956152083,"sku":"99439","price":69.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/bbda3901611ad22cb8746b80f7c93fe5342505fe_ER00285700_5962c136-6307-457e-ba43-297c1083cf04.jpg?v=1789422535"},{"product_id":"bosworth-a-tune-a-day-for-cello-book-two-cello-179587","title":"A TUNE A DAY FOR CELLO BOOK TWO - CELLO","description":"\u003ch3\u003eRiassunto di questo metodo\u003c\/h3\u003e \u003cp\u003eQuesto secondo libro di istruzioni per violoncello si rivolge agli studenti che desiderano proseguire il loro apprendimento in un contesto strutturato, sia in lezioni private che di gruppo. 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