{"title":"Metodi e spartiti per baritono o eufonio","description":null,"products":[{"product_id":"carisch-opera-arias-for-baritone-54226","title":"OPERA ARIAS FOR BARITONE","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura riunisce una selezione di arie d'opera tra le più celebri del repertorio, con un forte accento su Verdi (Rigoletto, La Traviata, Otello, Macbeth, Ernani, Don Carlo, Nabucco, Il Trovatore, I Due Foscari, La Forza Del Destino, Un Ballo In Maschera). Attraversa inoltre l'eleganza del bel canto con Bellini (I Puritani) e Donizetti (Don Pasquale, Lucia Di Lammermoor, L'Elisir D'Amore, La Favorita), l'energia teatrale di Rossini (Il Barbiere Di Siviglia, Guglielmo Tell), così come pagine importanti di Puccini (Tosca), Mascagni (Cavalleria Rusticana), Leoncavallo (I Pagliacci), Ponchielli (La Gioconda), Bizet (Carmen) e Wagner (Tannhauser). Vi si trovano in particolare \"Largo al factotum\", \"Cortigiani, vil razza dannata\", \"Credo in un Dio crudel\", \"Di Provenza il mar, il suol\" e anche \"Votre toast, je peux vous le rendre\": una scelta pensata per lavorare sulla resistenza, la gamma dinamica e l'incarnazione del testo, costituendo allo stesso tempo un repertorio solido e immediatamente valorizzante per ogni cantante in formazione.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOpera\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVincenzo Bellini, Giuseppe Verdi, Gaetano Donizetti, Pietro Mascagni, Gioachino Rossini, Richard Wagner, Amilcare Ponchielli, Ruggero Leoncavallo, Giacomo Puccini, Georges Bizet\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eitaliano, francese, tedesco\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eraccolta di arie d\u0026#039;opera, canto lirico\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Carisch","offers":[{"title":"Default Title","offer_id":54356634468627,"sku":"54226","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/dcf46cf8c29962d450f39993261e767834ad7789_MK16117BIS.jpg?v=1792508951"},{"product_id":"edition-breitkopf-operaria-basse-1-392354","title":"Operaria Basse 1","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura riunisce una selezione di arie celebri del repertorio operistico per voce grave, permettendo di esplorare situazioni drammatiche varie, dal comico mordace alla tirata narrativa, passando per l'aria di bravura. Dal lato Mozart, si ritrovano diversi momenti emblematici de \u003cstrong\u003eLe nozze di Figaro\u003c\/strong\u003e (Figaro) e di \u003cstrong\u003eDon Giovanni\u003c\/strong\u003e (Leporello), particolarmente efficaci per lavorare l'eleganza dello stile classico, la precisione ritmica e la chiarezza del testo. La sezione Lortzing apporta un colore germanico pieno di spirito, con arie espressive e teatrali, eccellenti per affinare l'intonazione, il senso della linea e la presenza scenica. In programma:\u003cbr \/\u003eMozart: Bravo signor padrone! \/ Se vuol ballare (Figaro - Le nozze di Figaro)\u003cbr \/\u003eMozart: Ehi capitano \/ Non più andrai (Figaro - Le nozze di Figaro)\u003cbr \/\u003eMozart: Tutto è disposto \/ Aprite un po' quegl'occhi (Figaro - Le nozze di Figaro)\u003cbr \/\u003eMozart: Eh consolatevi \/ Madamina, il catalogo è questo (Leporello - Don Giovanni)\u003cbr \/\u003eLortzing: O sancta justitia! (Van Bett - Zar und Zimmermann)\u003cbr \/\u003eLortzing: Fünftausend Taler! (Baculus - Der Wildschütz)\u003cbr \/\u003eLortzing: Auch ich war ein Jüngling mit lockigem Haar (Stadinger - Der Waffenschmied)\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOpera\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWolfgang Amadeus Mozart; Albert Lortzing\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eitaliano; tedesco\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003earie d\u0026#039;opera\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Breitkopf","offers":[{"title":"Default Title","offer_id":54356645249299,"sku":"392354","price":20.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/aa0f8b1a975b8f34250e093dd6f29a9bfd03d7a7_EB8880.jpg?v=1792666715"},{"product_id":"edition-breitkopf-operaria-baryton-3-392359","title":"Operaria Baryton 3","description":"\u003ch3\u003eRiassunto di questo libro\u003c\/h3\u003e\u003cp\u003eOperAria è stato concepito come un \"vocal coach\" ideale per tutti i tipi di voce. Pubblicato da Peter Anton Ling, questo volume si rivolge sia agli studenti sia ai cantanti in preparazione per audizioni, offrendo al contempo una selezione sufficientemente ispirante per alimentare la costruzione di un recital d'opera. L'obiettivo è chiaro: proporre un contenuto attuale, coerente e sistematicamente organizzato, in sintonia con la pratica scenica odierna.\u003c\/p\u003e\u003cp\u003eIl cuore del libro si basa su un'antologia di arie d'opera strutturata secondo criteri vocali precisi: estensione, tessitura, specificità tecniche e tipo di aria. Ogni proposta tiene inoltre conto di elementi musicali e teatrali indispensabili (stile, epoca, tipo di ruolo, provenienza nazionale), per aiutare il cantante a scegliere un'aria pertinente, sia per la sua voce sia per il suo profilo artistico.\u003c\/p\u003e\u003cp\u003ePer ogni aria, OperAria fornisce commenti e informazioni utili: indicazioni sul compositore, sul librettista e sull'opera, dettagli sul registro, versioni possibili o questioni di distribuzione, nonché un breve sinossi che illumina la situazione drammatica nell'intreccio. Il tutto è completato da una valutazione orientata alla pratica, \"vista dal cantante\", e da un CD che include un assistente fonetico: i testi nella lingua originale sono parlati da madrelingua (audio mp3), con le traduzioni in tedesco e inglese disponibili in file pdf.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epubblicato da Peter Anton Ling\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eantologia di arie d\u0026#039;opera, formazione vocale\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecanto (tutte le tessiture)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etesti in lingua originale, traduzioni in tedesco e inglese (pdf), assistente fonetico audio da madrelingua (mp3)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Breitkopf","offers":[{"title":"Default Title","offer_id":54356781105427,"sku":"392359","price":20.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2da992a19cf3b5028312d04e4f7f4ccbf916a278_EB8879.jpg?v=1792508994"},{"product_id":"durand-melodies-choisies-selected-songs-419473","title":"Mélodies Choisies - Selected Songs","description":"\u003ch3\u003eRiassunto di questa raccolta\u003c\/h3\u003e  \u003cp\u003eQuesta raccolta di musica vocale celebra l'arte di Maurice Ravel attraverso un repertorio per \u003cstrong\u003evoce medium [low] e pianoforte\u003c\/strong\u003e. Pensata per cantanti di livello \u003cstrong\u003eintermedio\u003c\/strong\u003e, costituisce un eccellente ponte tra lo studio tecnico e l'interpretazione: gestione del respiro, uguaglianza dei registri, precisione ritmica e controllo delle dinamiche sono al centro del lavoro, così come l'equilibrio con il pianoforte.\u003c\/p\u003e  \u003cp\u003eL'accompagnamento pianistico, tipico del linguaggio ravéliano, invita a curare i colori, gli attacchi e la pedalizzazione, mentre la parte vocale incoraggia un approccio raffinato al testo e al fraseggio. Grazie alla sua presentazione \u003cstrong\u003eFrench-English\u003c\/strong\u003e, questa raccolta facilita l'individuazione e l'utilizzo dei contenuti per cantanti e insegnanti che operano in un contesto bilingue, mantenendo l'esigenza della dizione e dell'espressività proprie del repertorio francese.\u003c\/p\u003e  \u003cp\u003eInserito nella collana \u003cstrong\u003eDurand-Salabert-Eschig-Musique Vocale Française\u003c\/strong\u003e, questo volume si rivolge sia agli studenti che desiderano consolidare il loro repertorio sia agli interpreti in cerca di una partitura affidabile per il lavoro in duo voce-pianoforte. Un supporto pertinente per audizioni, esami e preparazione di programmi di recital attorno alla mélodie francese.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMaurice Ravel\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eINTERMEDIATE\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMedium [low] Voice and Piano\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e156\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDurand-Salabert-Eschig-Musique Vocale Française\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2016\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench-English\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Durand","offers":[{"title":"Default Title","offer_id":54357059404051,"sku":"419473","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/46bad35d43aa97d662af03e508116f941262f530_HLE_DR_01608600.jpg?v=1792524153"},{"product_id":"green-man-press-bach-j-s-hier-ist-meines-vaters-sttte-basse-et-instruments-147742","title":"Bach J.S. - Hier Ist Meines Vaters Sttte - Basse et Instruments","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura propone l'aria per basso (ambitus G' a e'), violino e basso continuo tratta dalla cantata \"Ich geh' und suche mit Verlangen\" BWV 32 di Johann Sebastian Bach. Progettata per i musicisti che desiderano affrontare il repertorio vocale barocco con un organico ridotto, si integra facilmente in un lavoro di musica da camera attorno alla cantata, o nella preparazione di un brano isolato per audizione, concerto o esame.\u003c\/p\u003e\u003cp\u003eLa scrittura di Bach mette in risalto il dialogo tra la linea di basso e il violino, sostenuti dal basso continuo, con particolare attenzione al discorso musicale, alla respirazione delle frasi e ai contrasti espressivi. È una risorsa eccellente per lavorare sull'intonazione nello stile barocco, la conduzione della linea, nonché la coerenza d'insieme tra voce (o parte di basso) e strumenti. Gli strumentisti di continuo troveranno inoltre un terreno solido per affinare l'ascolto, la stabilità ritmica e la realizzazione di un accompagnamento al servizio del testo e dell'affetto.\u003c\/p\u003e\u003cp\u003ePubblicata da Cedric Lee, questa edizione ZOPC mira a una lettura fluida e pratica, privilegiando la chiarezza delle parti e una presentazione adatta alle prove. Una partitura ideale per gli interpreti alla ricerca di un estratto di cantata di Bach allo stesso tempo esigente, musicalmente gratificante e immediatamente sfruttabile in un contesto di musica barocca.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReligiosa, Sacra\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohann Sebastian Bach\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebasso (G\u0026#039; a e\u0026#039;), violino e basso continuo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCedric Lee (edizione)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura barocca (aria di cantata)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eZOPC\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Green Man Press","offers":[{"title":"Default Title","offer_id":54357217411347,"sku":"147742","price":6.24,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0a560a33f5dabb350885721276ffc3cd3e4f02e3_PARTOCHEEEE.jpg?v=1792524154"},{"product_id":"imc-schumann-dichterliebe-op48-cycle-of-16-songs-l-vce-pft-low-voice-et-piano-166439","title":"Schumann - Dichterliebe OP48 Cycle Of 16 Songs L Vce PFT - Low Voice et Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura riunisce lieder di Robert Schumann su poesie di Heinrich Heine, proponendo un percorso vocale ed emotivo tanto coinvolgente quanto inquietante. Il filo conduttore è quello di un amore spesso non corrisposto, il cui dolore affiora dietro apparenze talvolta luminose: alcuni canti si aprono con un colore quasi \"sorridente\", per poi tingersi progressivamente di tensione, ironia o disperazione. Questa ambivalenza, tipica del romanticismo tedesco, richiede una vera intelligenza del testo per rendere le sfumature e i cambiamenti d'umore.\u003c\/p\u003e\u003cp\u003eScritto per \u003cstrong\u003evoce grave e pianoforte\u003c\/strong\u003e, l'opera valorizza un timbro profondo e una proiezione narrativa, sollecitando al contempo una grande gamma di sfumature. Il pianoforte non è un semplice accompagnamento: crea atmosfere, sottolinea i non detti e rafforza la drammaturgia attraverso introduzioni, transizioni e conclusioni che prolungano la parola del cantante. Il livello \u003cstrong\u003eavanzato\u003c\/strong\u003e si rivolge agli interpreti che desiderano lavorare il lied in profondità: fraseggio, dizione tedesca, gestione del respiro, contrasti dinamici e precisione ritmica, senza dimenticare l'ascolto attento tra i due partner.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRobert Schumann\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etedesco - inglese\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evoce grave e pianoforte\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eavanzato\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura classica (lieder)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e48\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"IMC","offers":[{"title":"Default Title","offer_id":54357288321299,"sku":"166439","price":17.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/445370af32aba314e9b2a7703768dd83ec5e23f0_MDS_SCHUMDICHTERLIEBE106649PX.jpg?v=1792528992"},{"product_id":"schirmer-50-selected-songs-420828","title":"50 Selected Songs","description":"\u003ch3\u003eRiassunto di questa raccolta\u003c\/h3\u003e\u003cp\u003eProgettata per cantanti con \u003cstrong\u003evoce grave\u003c\/strong\u003e (a seconda delle tessiture, può essere adatta a diversi profili di voci basse o baritono, e a qualsiasi voce a suo agio nel registro grave), questa raccolta propone un repertorio \u003cstrong\u003eclassico\u003c\/strong\u003e accompagnato al pianoforte. La scrittura in \"low voice and piano\" ne fa un supporto pertinente sia per la lezione di canto sia per la preparazione di esibizioni: lavoro sulla linea vocale, precisione ritmica, intonazione, fraseggio, respirazione e costruzione musicale con un pianista.\u003c\/p\u003e\u003cp\u003eGrazie al suo volume generoso, questa raccolta permette di \u003cstrong\u003ecomporre programmi\u003c\/strong\u003e e di pescare regolarmente nuovi brani per rinnovare il proprio lavoro. Si rivolge a chi desidera sviluppare la propria sicurezza scenica e la propria espressività in un contesto piano-voce, consolidando al contempo i fondamenti del canto classico: omogeneità dei registri, articolazione, proiezione e sfumature. Integrata in una \u003cstrong\u003eVocal Collection\u003c\/strong\u003e, si inserisce naturalmente in un percorso di progressione e arricchimento del repertorio, offrendo un contenuto consistente da conservare come riferimento nella propria libreria musicale.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLow Voice and Piano\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e216\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollezione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVocal Collection\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1986\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassico\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schirmer","offers":[{"title":"Default Title","offer_id":54357521891603,"sku":"420828","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f1230dd2c6755b0b51e3059ff13587f1e5794fe4_HLE_HL50261430.jpg?v=1792533788"},{"product_id":"edition-breitkopf-operaria-baryton-2-392358","title":"Operaria Baryton 2","description":"\u003ch3\u003eRiassunto di questo libro\u003c\/h3\u003e\u003cp\u003eOperAria è stato concepito come un \"vocal coach\" ideale per tutti i tipi di voce. Pubblicato da Peter Anton Ling, questo volume si rivolge sia agli studenti sia ai cantanti in preparazione per audizioni, offrendo al contempo una selezione sufficientemente ispirante per alimentare la costruzione di un recital d'opera. L'obiettivo è chiaro: proporre un contenuto attuale, coerente e sistematicamente organizzato, in sintonia con la pratica scenica odierna.\u003c\/p\u003e\u003cp\u003eIl cuore del libro si basa su un'antologia di arie d'opera strutturata secondo criteri vocali precisi: estensione, tessitura, specificità tecniche e tipo di aria. Ogni proposta tiene inoltre conto di elementi musicali e teatrali indispensabili (stile, epoca, tipo di ruolo, provenienza nazionale), per aiutare il cantante a scegliere un'aria pertinente, sia per la sua voce sia per il suo profilo artistico.\u003c\/p\u003e\u003cp\u003ePer ogni aria, OperAria fornisce commenti e informazioni utili: indicazioni sul compositore, sul librettista e sull'opera, dettagli sul registro, versioni possibili o questioni di distribuzione, nonché un breve sinossi che illumina la situazione drammatica nell'intreccio. Il tutto è completato da una valutazione orientata alla pratica, \"vista dal cantante\", e da un CD che include un assistente fonetico: i testi nella lingua originale sono parlati da madrelingua (audio mp3), con le traduzioni in tedesco e inglese disponibili in file pdf.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epubblicato da Peter Anton Ling\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eantologia di arie d\u0026#039;opera, formazione vocale\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecanto (tutte le tessiture)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etesti in lingua originale, traduzioni in tedesco e inglese (pdf), assistente fonetico audio da madrelingua (mp3)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Breitkopf","offers":[{"title":"Default Title","offer_id":54357692121363,"sku":"392358","price":20.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/236585570935164596a069339ec80f70d5c8bf94_EB8878.jpg?v=1792537638"},{"product_id":"hal-leonard-operatic-anthology-vol-4-baryton-et-piano-37946","title":"Operatic Anthology Vol.4 - Baryton et Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eCelebrated Arias selected from Operas by Old and Modern Composers in five volumes\u003c\/strong\u003e - \u003cstrong\u003eVolume IV: Baritone\u003c\/strong\u003e è un'antologia di arie d'opera destinata alle voci di baritono, compilata da Kurt Adler. Questo volume raccoglie pagine emblematiche del repertorio lirico, permettendo di lavorare sia la linea di canto (legato, sostegno, proiezione) sia la dizione e la caratterizzazione drammatica.\u003c\/p\u003e\u003cp\u003eLa selezione mette a confronto diversi stili e scuole: l'opera italiana (in particolare Verdi con \"Cortigiani, vil razza\", \"Di Provenza il mar il suol\", \"Eri tu che macchiavi\", \"Il balen del suo sorriso\", \"Pari siamo\", \"Pietà, rispetto, amore\", \"Urna fatale\"...), l'opera tedesca (Wagner con \"Wahn! Wahn!\", \"Leb' wohl!\", \"Blick' ich umher\", o Mozart con \"Finch' han dal vino\" e \"Non siate ritrosi\"), così come classici francesi come \"Avant de quitter ces lieux\" (Gounod), \"Votre toast, je peux vous le rendre\" (aria del Toréador) o Offenbach con \"Scintille, diamant\".\u003c\/p\u003e\u003cp\u003eSi trovano anche pagine ideali per sviluppare la tavolozza espressiva del baritono: virtuosismo e senso del teatro con \"Largo al factotum\" (Rossini), intensità drammatica verdiana, grandi archi wagneriani, o colori più lirici e introspettivi (per esempio \"Onegin's Aria\" di Tchaikovsky). La varietà delle arie proposte rende questa raccolta particolarmente pertinente per costruire un repertorio coerente, variare le atmosfere e scegliere brani adatti a diversi contesti (lezioni, palcoscenico, concorsi, conservatorio).\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOpera\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVari (Verdi, Wagner, Mozart, Rossini, Donizetti, Gounod, Massenet, Tchaikovsky, Offenbach, Leoncavallo, Thomas, Beethoven...)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCelebrated Arias selected from Operas by Old and Modern Composers in five volumes - Volume IV\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eKurt Adler (compilato da)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura classica (arie d\u0026#039;opera)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVoce (baritono)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMultilingue (italiano, francese, tedesco, ecc.)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hal Leonard","offers":[{"title":"Default Title","offer_id":54358061875475,"sku":"37946","price":39.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/dc4353dba76b8e64b4f2d3844bbe46a7b137e20c_GS32586.jpg?v=1792551931"},{"product_id":"henle-verlag-schumann-song-cycle-op-24-voice-t-et-piano-341010","title":"Schumann - Song Cycle Op. 24 - Voice (T) et Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta edizione propone il \u003cstrong\u003eLiederkreis op. 24\u003c\/strong\u003e di \u003cstrong\u003eRobert Schumann\u003c\/strong\u003e, ciclo di lieder composto su poesie di \u003cstrong\u003eHeinrich Heine\u003c\/strong\u003e. Originariamente concepito per la scena intima del recital voce-pianoforte, questa raccolta valorizza l'arte del testo, la flessibilità del fraseggio e la finezza del dialogo con il pianoforte. Qui, Henle apre pienamente l'accesso al ciclo ai cantanti con \u003cstrong\u003evoce grave\u003c\/strong\u003e grazie a un'\u003cstrong\u003eedizione trasposta\u003c\/strong\u003e per \u003cstrong\u003ealto\u003c\/strong\u003e, elaborata a partire dalla versione per voce media, con tonalità equilibrate per preservare il colore armonico e lo slancio espressivo propri di Schumann.\u003c\/p\u003e\u003cp\u003eL'approccio Urtext garantisce un materiale di lavoro serio sia per lo studio che per la scena: ideale per costruire un'interpretazione stilisticamente solida, curare la declamazione e affinare le sfumature, appoggiandosi su una base musicale coerente. Il pianista accompagnatore troverà inoltre una scrittura leggibile e pensata per il partenariato di musica da camera, dove respiro, rubato e articolazione si costruiscono in due.\u003c\/p\u003e\u003cp\u003eParticolarmente apprezzabile, l'edizione è arricchita da una \u003cstrong\u003eprefazione\u003c\/strong\u003e che illumina il contesto della composizione e il posto dell'opus nell'universo dei lieder romantici, oltre a un \u003cstrong\u003ecommento critico\u003c\/strong\u003e dettagliato. Una scelta eccellente per le classi di canto, i duo voce-pianoforte e tutti i musicisti che cercano una partitura di riferimento per affrontare questo ciclo emblematico in una tessitura più confortevole.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRobert Schumann\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVoce (alto, trasposto) e pianoforte\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eKazuko Ozawa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura classica (lieder)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHenle (Urtext)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTedesco\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Henle Verlag","offers":[{"title":"Default Title","offer_id":54358304063763,"sku":"341010","price":18.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ec42c7af5524279162edc0471baef99cbf0461db_MDS_HN1465.jpg?v=1792556727"},{"product_id":"barenreiter-schubert-f-winterreise-op-89-d-911-voix-basse-piano-64714","title":"Schubert F. - Winterreise Op.89 D 911 - Voix Basse Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta edizione \"Playing Score\" in \u003cstrong\u003eUrtext Edition\u003c\/strong\u003e, curata da \u003cstrong\u003eWalther Dürr\u003c\/strong\u003e, propone il ciclo \u003cstrong\u003eWinterreise op. 89 D 911 [Februar - Herbst 1827]\u003c\/strong\u003e su testi di \u003cstrong\u003eWilhelm Müller\u003c\/strong\u003e, in una versione per \u003cstrong\u003evoce grave e pianoforte\u003c\/strong\u003e. Vera pietra miliare del repertorio voce-pianoforte, questa partitura mette a disposizione un materiale di lavoro chiaro e coerente per affrontare l'arco narrativo del ciclo, l'articolazione del testo, la respirazione, nonché l'equilibrio con il pianoforte.\u003c\/p\u003e\u003cp\u003eLa raccolta è organizzata in due sezioni (\u003cstrong\u003eErste Abteilung\u003c\/strong\u003e e poi \u003cstrong\u003eZweite Abteilung\u003c\/strong\u003e ) che raggruppano i \u003cstrong\u003e24 lieder\u003c\/strong\u003e, da \"Gute Nacht\" a \"Der Leiermann\". L'insieme permette di seguire passo dopo passo la progressione drammatica e poetica del viaggio, con una continuità musicale particolarmente utile per le prove, il coaching vocale e l'accompagnamento al pianoforte. I \u003cstrong\u003eLiedtexte \/ Song Texts\u003c\/strong\u003e facilitano il lavoro di dizione e intenzione, mentre il \u003cstrong\u003eVorwort \/ Preface\u003c\/strong\u003e offre un quadro di lettura apprezzabile per situare l'edizione e il suo contenuto.\u003c\/p\u003e\u003cp\u003eUn \u003cstrong\u003eAnhang \/ Appendix\u003c\/strong\u003e completa l'opera e include: \"6. Wasserflut\", \"10. Rast\", \"22. Mut\" e \"24. Der Leiermann\". Questa sezione aggiuntiva è particolarmente interessante per gli interpreti che desiderano confrontare versioni, affinare le proprie scelte musicali e arricchire il proprio approccio stilistico. Rilegata in \u003cstrong\u003epaperbound\u003c\/strong\u003e, questa partitura è pensata per un uso regolare in corso, in prova o in preparazione di concerto, mantenendo una presentazione adatta al gioco e al canto.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePlaying Score; Urtext Edition\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVoce grave, Pianoforte\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDürr, Walther (Editor)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54358574203155,"sku":"64714","price":21.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9a5207fc60b550c0f2ce2eefcf15b0c2a504b767_BA9158.jpg?v=1792561690"},{"product_id":"hal-leonard-operatic-anthology-vol-5-basse-et-piano-124105","title":"Operatic Anthology Vol.5 - Basse et Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta raccolta riunisce una selezione di arie d'opera fondamentali destinate alle voci gravi, coprendo uno spettro stilistico molto ampio, dal bel canto al romanticismo tedesco, fino alle grandi fresche russe. Vi si trovano in particolare pagine celebri come \"La calunnia\" (Rossini), \"Vecchia zimarra\" (Puccini), l'aria del Catalogo \"Madamina! il catalogo è questo\" (Mozart), così come diverse arie di Verdi (tra cui \"Come dal ciel precipita\" e \"Il lacerato spirito\") e di Wagner (ad esempio \"O Isis und Osiris\", qui un punto di riferimento essenziale della tradizione mozartiana per basso, accanto ai grandi monologhi wagneriani). La selezione include anche arie meno comuni ma molto formative, provenienti da opere di Cornelius, Flotow, Nicolai, Halévy, Meyerbeer, Thomas, Massenet o Dargomyzhsky, perfette per arricchire un programma e distinguersi. Grazie all'alternanza tra arie di carattere, racconti e scene più introspettive, questa partitura costituisce un eccellente supporto di lavoro per sviluppare la proiezione, il colore del timbro, il legato, l'articolazione e il senso del testo, esplorando al contempo ruoli emblematici del repertorio d'opera.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOpera\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCollettivo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMultilingue\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura d\u0026#039;opera\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hal Leonard","offers":[{"title":"Default Title","offer_id":54358733095187,"sku":"124105","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/43c0d409e1ff50f8bc70efd45078aeda30808c0d_GS32587.jpg?v=1792570023"},{"product_id":"edition-breitkopf-operaria-basse-2-392355","title":"Operaria Basse 2","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura riunisce una selezione di arie d'opera pensata per cantanti con voce di basso che desiderano arricchire il proprio repertorio con pagine immediatamente riconoscibili e musicalmente formative. Il programma alterna arie di carattere, momenti solenni e passaggi virtuosistici, permettendo di lavorare sulla proiezione, l'articolazione, le sfumature e il senso del testo, affrontando al contempo universi drammatici molto diversi.\u003c\/p\u003e\u003cp\u003eVi si trovano in particolare Mozart con Osmin (timbro scuro, umorismo e autorità) e Sarastro (ampiezza e nobiltà), Beethoven con Rocco (scrittura espressiva e teatrale), poi il bel canto italiano con Rossini (verve, precisione ritmica) e Donizetti (slancio drammatico). Un eccellente supporto per costruire un percorso progressivo, confrontare gli stili e affinare l'interpretazione, sia durante le lezioni di canto, nella preparazione di esami o per una scena di audizione.\u003c\/p\u003e\u003cp\u003eMozart: Wer ein Liebchen hat gefunden (Osmin - Die Entführung aus dem Serail)\u003cbr \/\u003eMozart: O, wie will ich triumphieren (Osmin - Die Entführung aus dem Serail)\u003cbr \/\u003eMozart: La vendetta (Bartolo - Le nozze di Figaro)\u003cbr \/\u003eMozart: O Isis und Osiris (Sarastro - Die Zauberflöte)\u003cbr \/\u003eMozart: In diesen heil'gen Hallen (Sarastro - Die Zauberflöte)\u003cbr \/\u003eBeethoven: Hat man nicht auch Gold beineben (Rocco - Fidelio)\u003cbr \/\u003eRossini: La calunnia (Don Basilio - Il barbiere di Siviglia)\u003cbr \/\u003eRossini: Eterno! immenso! \/ Celeste man placata! (Mosè - Mosè in Egitto)\u003cbr \/\u003eDonizetti: Vieni! la mia vendetta \/ Qualunque sia l'evento (Don Alfonso - Lucrezia Borgia)\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWolfgang Amadeus Mozart; Ludwig van Beethoven; Gioachino Rossini; Gaetano Donizetti\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura classica; arie d\u0026#039;opera\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecanto (basso)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etedesco; italiano\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Breitkopf","offers":[{"title":"Default Title","offer_id":54359010574611,"sku":"392355","price":20.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0d3155c986b80049c4bb9d266c8d5131596661b0_EB8881.jpg?v=1792573551"},{"product_id":"edition-breitkopf-operaria-baryton-1-392357","title":"Operaria Baryton 1","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura riunisce una selezione di arie tratte da capolavori dell'opera, mescolando la forza tragica di Gluck e l'eleganza drammatica di Mozart. Il programma propone pagine emblematiche associate a ruoli significativi, permettendo di affrontare diverse intenzioni sceniche: l'urgenza e la tensione di \"Ifigenia in Tauride\", la tenerezza, l'ironia o l'energia teatrale proprie delle opere di Mozart.\u003c\/p\u003e\u003cp\u003eTroverete innanzitutto Christoph Willibald Gluck con \"Je t'ai donné la mort \/ Dieux! qui me poursuivez\" (Oreste - \u003cstrong\u003eIfigenia in Tauride\u003c\/strong\u003e ), poi un viaggio nel teatro mozartiano: \"Nur mutig, mein Herze\" (Allazim - \u003cstrong\u003eZaide\u003c\/strong\u003e ), \"Hai già vinta la causa \/ Vedrò mentre io sospiro\" (Il Conte Almaviva - \u003cstrong\u003eLe nozze di Figaro\u003c\/strong\u003e ), \"Rivolgete a lui lo sguardo\" (Guglielmo - \u003cstrong\u003eCosì fan tutte\u003c\/strong\u003e ), e due arie da \u003cstrong\u003eDon Giovanni\u003c\/strong\u003e con \"Fin ch' han dal vino\" e \"Deh vieni alla finestra\". L'insieme si conclude con \"Ein Mädchen oder Weibchen\" (Papageno - \u003cstrong\u003eDie Zauberflöte\u003c\/strong\u003e ), imprescindibile per lavorare sul senso del testo e sulla naturalezza della linea musicale.\u003c\/p\u003e\u003cp\u003eGrazie alla diversità delle situazioni e degli affetti, questa selezione costituisce un eccellente supporto per sviluppare musicalità, articolazione, fraseggio e presenza drammatica, consolidando al contempo i codici stilistici dell'opera classica.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eChristoph Willibald Gluck; Wolfgang Amadeus Mozart\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrancese; italiano; tedesco\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura classica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Breitkopf","offers":[{"title":"Default Title","offer_id":54359118315795,"sku":"392357","price":20.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f2386d997f9ce8eb1e29a9c6edc425f6e7de7e88_EB8877.jpg?v=1792578167"},{"product_id":"lemoine-aboulker-illusion-baryton-et-piano-70044","title":"Aboulker - Illusion - Baryton et Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eScritto da Isabelle Aboulker, questa partitura per baritono e pianoforte si inserisce in un approccio decisamente contemporaneo, dove la relazione tra la linea vocale e l'accompagnamento diventa un vero terreno d'espressione. Il baritono vi trova una scrittura che valorizza la dizione, la gestione del fiato e il colore del timbro, mentre il pianoforte sostiene e dialoga con la voce, apportando rilievo armonico ed energia ritmica.\u003c\/p\u003e \u003cp\u003eGrazie al suo formato conciso (6 pagine), l'opera si presta particolarmente bene a un lavoro preciso in seduta: impostazione, articolazione, gestione dei contrasti, intonazione degli intervalli e coerenza delle frasi. È una scelta eccellente per i cantanti che desiderano esplorare un repertorio moderno, arricchire il loro programma con un brano breve o lavorare sull'interpretazione in un'estetica dove la sfumatura e la rigore fanno la differenza.\u003c\/p\u003e \u003cp\u003eQuesta partitura si rivolge ai musicisti che apprezzano le scritture di oggi e cercano un pezzo per duo voce-pianoforte al contempo espressivo e strutturato, adatto alla prova come alla presentazione in pubblico. Un supporto pertinente per il recital, la lezione di canto o il coaching d'insieme, con un obiettivo chiaro: far sentire una voce sostenuta da un pianoforte partner, al servizio di una lettura musicale esigente e viva.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eABOULKER Isabelle\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebaritono e pianoforte\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2005\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtemporaneo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54359389798675,"sku":"70044","price":13.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c5cfbadd3d0e6bc72358047e987c1cc8c5f91ca2_HEXA28371.jpg?v=1792587609"},{"product_id":"lemoine-bonnardot-jacqueline-les-classiques-du-ch-cd-baryton-piano-52077","title":"Bonnardot Jacqueline - Les Classiques Du Ch + Cd - Baryton Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta raccolta per \u003cstrong\u003ebaryton e pianoforte\u003c\/strong\u003e riunisce arie celebri e pagine più rare, scelte non solo per il loro valore musicale, ma anche per la loro efficacia didattica. È un eccellente supporto per costruire una tecnica solida e musicale, lavorando sulla proiezione, la gestione del respiro, la giustezza, l'articolazione e la qualità della fraseggiatura. La diversità dei compositori e delle lingue affrontate permette di sviluppare una vera polivalenza: dallo stile barocco all'opera romantica, ogni aria apporta sfide specifiche (linea di canto, dizione, accentuazione, espressività, dinamica).\u003c\/p\u003e\u003cp\u003eIl contenuto propone in particolare estratti di Bach (\"Grosser Herr\" dall'\u003cstrong\u003eOratorio di Natale\u003c\/strong\u003e ), Berlioz (\"Voici les roses\" da \u003cstrong\u003eLa Damnation de Faust\u003c\/strong\u003e ), Campra (\u003cstrong\u003eTancrède\u003c\/strong\u003e ), Donizetti (\u003cstrong\u003eL'Elisir d'Amore\u003c\/strong\u003e ), Gluck (\u003cstrong\u003eLa Rencontre imprévue\u003c\/strong\u003e ), Haendel (\u003cstrong\u003eGiulio Cesare\u003c\/strong\u003e ), Haydn (\u003cstrong\u003eLa Fedeltà Premiata\u003c\/strong\u003e e un estratto dalle \u003cstrong\u003eStagioni\u003c\/strong\u003e ), Kreutzer (\u003cstrong\u003eDas Nachtlager in Granada\u003c\/strong\u003e ), Massé (\u003cstrong\u003eLes Noces de Jeannette\u003c\/strong\u003e ), Monteverdi (\u003cstrong\u003eL'Orfeo\u003c\/strong\u003e ), Mozart (arie da \u003cstrong\u003eLa Finta Giardiniera\u003c\/strong\u003e, \u003cstrong\u003eDon Giovanni\u003c\/strong\u003e e \u003cstrong\u003eCosi fan tutte\u003c\/strong\u003e ), Puccini (\u003cstrong\u003eEdgar\u003c\/strong\u003e ), Purcell (\u003cstrong\u003eThe Indian Queen\u003c\/strong\u003e ), Rossini (\"Elégie\", \"L'ultimo ricordi\"), Schubert (\u003cstrong\u003eDes Teufels Lustschloss\u003c\/strong\u003e ) e Verdi (\"Romance\", \"Non t'accostare all'urna\"). Un insieme coerente per lavorare lo stile, arricchire il repertorio e guadagnare maturità artistica, accompagnato da un pianoforte al servizio dell'interpretazione.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebaryton e pianoforte\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e92\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBonnardot Jacqueline\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Lemoine","offers":[{"title":"Default Title","offer_id":54360031494419,"sku":"52077","price":26.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/29712628dd12e9f258e4a9c4fcb58bb36130d574_9790230974806.jpg?v=1792605742"},{"product_id":"edition-breitkopf-operaria-basse-3-392356","title":"Operaria Basse 3","description":"\u003ch3\u003eRiepilogo di questa partitura \u003c\/h3\u003e\u003cp\u003eQuesta partitura propone una selezione di estratti emblematici della grande opera e del dramma lirico, pensati per valorizzare una voce grave (basso \/ basso-baritono) attraverso personaggi autorevoli, misteriosi o dotati di grande potenza. Il programma attraversa lo stile francese con Giacomo Meyerbeer, la tradizione russa con Mikhail Glinka e infine il repertorio tedesco con Richard Wagner, offrendo un eccellente terreno di lavoro per i colori vocali, il fraseggio e l'intensità drammatica.\u003c\/p\u003e\u003cp\u003eVi troverete in particolare: Meyerbeer: Voici donc les débris \/ Nonnes qui reposez (Bertram - Robert le diable) e Meyerbeer: Volontiers, un vieil air huguenot \/ Piff, paff (Marcel - Les Huguenots) \u0026#59; Glinka: ?ujut pravdu! \/ Ty prijdë?' moja zarja! (Susanin - ?izn' za carja) \u0026#59; Wagner: Gar viel und schön (Landgraf Hermann - Tannhäuser) \u0026#59; Wagner: Gott grüß euch (König Heinrich - Lohengrin) \u0026#59; Wagner: Mein Herr und Gott (König Heinrich - Lohengrin) \u0026#59; Wagner: Hoiho! Hoiho hoho! (Hagen - Götterdämmerung). Una selezione particolarmente indicata per costruire un repertorio vario di arie d'opera, alternando passaggi solenni e narrativi a momenti di tensione scenica.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOpera\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMeyerbeer ; Glinka ; Wagner\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrancese ; Tedesco ; Russo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Breitkopf","offers":[{"title":"Default Title","offer_id":54360087494931,"sku":"392356","price":20.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a44be965c2471dd1c09f6d94eaa1ee2880f46df3_EB8882.jpg?v=1792605722"},{"product_id":"salabert-22-melodies-22-songs-421431","title":"22 Mélodies - 22 Songs","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta raccolta propone un percorso nel cuore della musica vocale di Erik Satie, compositore di rilievo la cui scrittura singolare unisce chiarezza delle linee, raffinatezza armonica e senso del testo. Progettata per \u003cstrong\u003evoce medium o grave e pianoforte\u003c\/strong\u003e, si rivolge a cantanti che desiderano lavorare la mélodie française in un contesto al contempo esigente e accessibile. L'accompagnamento al pianoforte, finemente scritto, sostiene la linea vocale senza sovrastarla e permette di sviluppare l'ascolto, la respirazione musicale e la precisione ritmica.\u003c\/p\u003e \u003cp\u003eL'edizione pone l'accento sull'esperienza di lavoro: la presenza del \u003cstrong\u003ebilingue francese-inglese\u003c\/strong\u003e aiuta a cogliere le intenzioni poetiche, a chiarire la prosodia e ad affinare l'articolazione, elementi essenziali per convincere in audizione, concorso o concerto. Grazie al suo livello \u003cstrong\u003eintermedio\u003c\/strong\u003e, questo volume rappresenta una scelta eccellente per i cicli di conservatorio, i corsi di canto e la preparazione di recital, offrendo un repertorio stilizzato e immediatamente riconoscibile. Nella collana \u003cstrong\u003eDurand-Salabert-Eschig - Musique Vocale Française\u003c\/strong\u003e, questo titolo si inserisce naturalmente come una risorsa solida per costruire un programma coerente attorno alla musica classica vocale francese.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eErik Satie\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench-English\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtista\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCarol Kimball\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eINTERMEDIATE\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMedium or Low Voice and Piano\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDurand-Salabert-Eschig-Musique Vocale Française\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2019\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassico\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default 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La scrittura al pianoforte offre un quadro armonico solido, utile sia per la lettura sia per l'interpretazione, e permette di lavorare la musicalità oltre la semplice melodia. È un supporto particolarmente apprezzato nei conservatori, nelle scuole di musica o con un insegnante di canto, poiché facilita la preparazione di un programma e la consolidazione delle basi tecniche.\u003c\/p\u003e  \u003cp\u003eLa tessitura \"low voice\" si rivolge a cantanti che cercano un repertorio adatto ai registri gravi, mantenendo però riferimenti confortevoli per la proiezione, la respirazione e l'articolazione. Il duo voce-pianoforte incoraggia un lavoro preciso sull'intonazione e le sfumature, soprattutto grazie alle cadenze, agli appoggi armonici e alle respirazioni musicali indotte dall'accompagnamento.\u003c\/p\u003e  \u003cp\u003eChe stiate preparando un esame, un'audizione o desideriate arricchire la vostra biblioteca di spartiti, questa raccolta rappresenta una risorsa affidabile per costruire un'interpretazione: lettura a prima vista, impostazione, fraseggio, gestione delle dinamiche e coerenza stilistica. Usata regolarmente, aiuta a sviluppare l'autonomia (lettura e preparazione) rimanendo perfettamente adatta al lavoro in duo con il pianista accompagnatore.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLow Voice and Piano\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e96\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVocal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2014\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassico\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schirmer","offers":[{"title":"Default Title","offer_id":54360933957907,"sku":"420918","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/85c33b7597c82c131667fc5682dd62182b406fdf_HLE_HL50499823.jpg?v=1792629431"},{"product_id":"salabert-o-mensch-421416","title":"O Mensch!","description":"\u003ch3\u003eRiassunto di questa raccolta\u003c\/h3\u003e\u003cp\u003eQuesta raccolta per baritono e pianoforte si rivolge ai musicisti che desiderano arricchire il loro programma con un'opera del repertorio contemporaneo. La combinazione voce grave e pianoforte mette in risalto la presenza, la dizione e la conduzione del respiro, richiedendo al contempo un ascolto attento dell'equilibrio con l'accompagnamento. La scrittura di Pascal Dusapin, riconosciuta per la sua tensione espressiva e la ricerca di timbri, invita l'interprete a lavorare sulla precisione ritmica, l'intonazione corretta e la continuità della linea, senza mai perdere il senso musicale.\u003c\/p\u003e\u003cp\u003eConcepito per il lavoro in duo, questo formato permette di affrontare la preparazione di un recital come quella di un'audizione: impostazione al metronomo, riferimenti armonici al pianoforte e costruzione progressiva delle sfumature e dei piani sonori. Il baritono vi troverà un terreno ideale per sviluppare la proiezione, l'articolazione e la tavolozza dei colori, mentre il pianista potrà affinare la respirazione comune, la gestione delle risonanze e la chiarezza degli attacchi. Pubblicato nel 2013, questo raccolta costituisce una risorsa pertinente per i conservatori, le classi di canto e gli artisti che cercano una partitura classica contemporanea al contempo rigorosa e ispirante.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePascal Dusapin\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e82\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBaritono e pianoforte\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2013\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassico\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54361026068755,"sku":"421416","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/fcd33bacc8c5e3be14cb1019e29917db6e2d95f6_HLE_SLB_00590500.jpg?v=1792629481"},{"product_id":"jobert-criton-elle-est-mignonne-basse-guit-baryton-et-guitare-en-1-12-e-de-ton-73121","title":"Criton - Elle Est Mignonne (basse\/guit) - Baryton et Guitare En 1\/12 E De Ton","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura di \u003cstrong\u003ePascale Criton\u003c\/strong\u003e si rivolge agli interpreti curiosi del repertorio contemporaneo e dei linguaggi microtonali. Scritta per \u003cstrong\u003ebaryton e chitarra\u003c\/strong\u003e, mette in evidenza un ascolto fine delle altezze e degli scarti di intonazione grazie a un sistema in \u003cstrong\u003e1\/12 di tono\u003c\/strong\u003e. Il pezzo invita a lavorare sulla stabilità degli intervalli, la precisione ritmica e la gestione delle sfumature, valorizzando al contempo la ricchezza dei timbri: la voce, con la sua flessibilità e le sue inflessioni, incontra la chitarra in un gioco di risonanze, attacchi e texture.\u003c\/p\u003e\u003cp\u003eIl formato volutamente compatto (5 pagine) ne fa un'opera adatta a diversi contesti: integrazione in un recital di musica contemporanea, proposta di lettura in classe di composizione, o supporto di ricerca per sviluppare nuovi riflessi di intonazione. Per la chitarra come per la voce, l'esecuzione richiede un'attenzione particolare al \u003cstrong\u003erilevamento dei microintervalli\u003c\/strong\u003e e alla giustezza relativa tra le due parti. Questa partitura costituisce così un eccellente punto d'ingresso (o di consolidamento) per ogni musicista che desideri arricchire il proprio repertorio con una \u003cstrong\u003epartitura contemporanea\u003c\/strong\u003e incentrata sulla precisione delle altezze e sulla drammaturgia del suono.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCriton Pascale\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebaryton e chitarra in 1\/12 di tono\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2001\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtemporaneo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jobert","offers":[{"title":"Default Title","offer_id":54361814532371,"sku":"73121","price":14.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/800d51e5678b050679ae1324177c3d9b57c511fd_HLE_JJ16519.jpg?v=1792651598"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/collections\/F051.jpg?v=1789298773","url":"https:\/\/woodbrass.it\/collections\/metodi-e-spartiti-per-baritono-o-eufonio.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}