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Grazie all'indicazione degli usi possibili (violino I, violino nel materiale originale o discant-gambe), si integra facilmente in diverse scelte di strumentazione mantenendo lo spirito della scrittura di Bach.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBach Johann Sebastian\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOrganico\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 Vn, VdG sopr\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHermann Diener\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356537639187,"sku":"40221","price":6.76,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a77e1cd21933936fb02ddf246e24a5fef8c8ce5e_HL_BA2600_91.jpg?v=1789422510"},{"product_id":"barenreiter-mendelssohn-bartholdy-f-lieder-ohne-worte-piano-62598","title":"Mendelssohn Bartholdy F. - Lieder Ohne Worte - Piano","description":"\u003ch3\u003eRiassunto di questo libro\u003c\/h3\u003e\u003cp\u003eQuesto volume raccoglie un ampio panorama dei \u003cstrong\u003eLieder ohne Worte\u003c\/strong\u003e per \u003cstrong\u003epianoforte\u003c\/strong\u003e, con un'organizzazione chiara per opus e per tonalità. 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Vi si trovano i tre pezzi \u003cstrong\u003e\" Cloches à travers les feuilles \"\u003c\/strong\u003e, \u003cstrong\u003e\" Et la lune descend sur le temple qui fut \"\u003c\/strong\u003e e \u003cstrong\u003e\" Poissons d'or \"\u003c\/strong\u003e, ciascuno esplorando un universo sonoro distinto: campane lontane e riflessi, atmosfere sospese e linee cantabili, quindi virtuosismo scintillante e mobilità delle texture. La \u003cstrong\u003e2ª serie\u003c\/strong\u003e, particolarmente esigente, è scritta su \u003cstrong\u003etre pentagrammi\u003c\/strong\u003e per rendere leggibili le sovrapposizioni di piani e gli effetti di pedale, elemento centrale del linguaggio debussiano.\u003c\/p\u003e\u003cp\u003eConcepita per rispondere alle aspettative dei pianisti esigenti (studio, concorsi, interpretazione), questa pubblicazione Bärenreiter pone l'accento sull'affidabilità del testo e sull'aiuto concreto al lavoro. Le \u003cstrong\u003edita di Tamara Stefanovich\u003c\/strong\u003e accompagnano il pianista nella gestione degli intervalli, degli arpeggi, dei trilli e degli incroci di mani, rispettando al contempo l'articolazione e la respirazione delle frasi. I testi di accompagnamento (prefazione, nota sulle diteggiature) e il \u003cstrong\u003ecommento critico\u003c\/strong\u003e offrono riferimenti utili sulle scelte editoriali, la lettura delle fonti e le questioni interpretative, per affrontare quest'opera con metodo e libertà musicale. Il tutto è proposto in \u003cstrong\u003epartitura per pianoforte\u003c\/strong\u003e, in formato \u003cstrong\u003erilegatura a punti metallici\u003c\/strong\u003e, pratico per il leggio.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDebussy, Claude\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura classica (pianoforte)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtista\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTamara Stefanovich (dita)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTedesco, inglese, francese\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter, edizione Urtext\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXX + 28 pagine\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePianoforte\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356667171091,"sku":"128599","price":15.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f7433df8cab5a0122603345fb7f5260560704a70_BA10822.jpg?v=1789444583"},{"product_id":"barenreiter-moz-w-a-don-giovanni-kv-527-reduction-ch-piano-78632","title":"Moz W.A. - Don Giovanni Kv 527 - Reduction Ch Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eCon \u003cstrong\u003eIl dissoluto punito ossia Il Don Giovanni\u003c\/strong\u003e, questo \u003cstrong\u003edramma giocoso in 2 atti (deutsch\/italienisch)\u003c\/strong\u003e si presenta qui sotto forma di \u003cstrong\u003epiano reduction \/ vocal score\u003c\/strong\u003e in \u003cstrong\u003eUrtext\u003c\/strong\u003e, concepita per servire sia lo studio individuale che il lavoro in prova. La riduzione pianoforte permette di concentrarsi sulle linee vocali, gli ensemble e gli equilibri di scrittura, mantenendo una visione strutturata dello svolgimento musicale e teatrale.\u003c\/p\u003e\u003cp\u003eIl volume è pensato per un uso efficace in contesto di produzione: vi troverete una sezione \u003cstrong\u003eBesetzung \/ Ensemble\u003c\/strong\u003e (organico), un \u003cstrong\u003eVorwort\u003c\/strong\u003e e una \u003cstrong\u003ePreface\u003c\/strong\u003e, poi un \u003cstrong\u003eVerzeichnis der Szenen \/ Index of Scenes\u003c\/strong\u003e che facilita la navigazione tra i numeri e le diverse situazioni sceniche. La partitura prosegue con l'\u003cstrong\u003eOuvertura \/ Ouvertüre\u003c\/strong\u003e, poi \u003cstrong\u003eAtto primo \/ Erster Akt\u003c\/strong\u003e e \u003cstrong\u003eAtto secondo \/ Zweiter Akt\u003c\/strong\u003e, prima di un \u003cstrong\u003eAnhang \/ Appendix\u003c\/strong\u003e per completare il materiale.\u003c\/p\u003e\u003cp\u003ePer quanto riguarda le forze in campo, questa edizione riflette l'ampiezza dell'organico previsto: solisti (3 soprani, tenore, baritono, 3 bassi) e \u003cstrong\u003ecoro misto\u003c\/strong\u003e, con un'orchestra che include legni a due, ottoni, tre tromboni, timpani, archi, mandolino e continuo (\u003cstrong\u003ecembalo\u003c\/strong\u003e ), senza dimenticare la \u003cstrong\u003eBühnenmusik\u003c\/strong\u003e (musica di scena) elencata separatamente. Un'ottima scelta per cantanti, maestri collaboratori, direttori di coro e direttori d'orchestra che desiderano lavorare su un'edizione esigente, leggibile e strutturata.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOpera\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano Reduction\/Vocal Score; Edizione Urtext; Editor: Plath, Wolfgang; Rehm, Wolfgang\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura d\u0026#039;opera (dramma giocoso) - riduzione canto\/pianoforte (vocal score)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOrganico\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 Soprano solisti, Tenore solista, Baritono solista, Coro misto, 3 Bassi solisti, 2 Flauti, 2 Oboi, 2 Clarinetti (sib), 2 Fagotti, 2 Corni, 2 Trombe, 3 Tromboni, Timpani, Mandolino, Archi, Cembalo. 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L'élève découvre rapidement des chansons, des gammes et le jeu dans différentes positions, tout en développant l'écoute grâce à de nombreux duos. Les compositions originales de Boguslaw Furtok viennent enrichir l'ensemble et apportent une matière musicale stimulante pour le travail régulier.\u003c\/p\u003e\u003cp\u003ePrévue en trois volumes, cette méthode convient particulièrement aux jeunes contrebassistes en phase d'initiation et s'adapte bien à un enseignement progressif en cours individuel ou en conservatoire. Les illustrations colorées de Charlotte Panowsky rendent l'ouvrage plus vivant et favorisent l'engagement de l'enfant tout au long de l'apprentissage. Un support pédagogique sérieux, rassurant et musicalement riche pour bien débuter la contrebasse.\u003c\/p\u003e\n\n\u003ch2\u003eCaractéristiques techniques\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrebasse\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLangue\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eanglais et allemand selon le volume\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eThe Sassmannshaus Tradition\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulté\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edébutant\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eméthode instrumentale pour contrebasse débutante\u003c\/td\u003e\n\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356682834195,"sku":"128829","price":11.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a6605903d4da3e9e86f9d542896ba21140c37b51_BA09663.jpg?v=1789431074"},{"product_id":"barenreiter-schubert-f-quintette-la-truite-en-la-majeur-d-667-op-post-114-40530","title":"Schubert F. - Quintette \"la Truite\" En La Majeur D 667 (op.post.114)","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eConcepita per l'esecuzione d'insieme, questa partitura riunisce una formazione completa di archi (violino, viola, violoncello, contrabbasso) accompagnata dal pianoforte. È particolarmente adatta a contesti in cui si ricerca una lettura confortevole e un'organizzazione pratica del materiale, sia in prova, durante i corsi di musica da camera, o in concerto.\u003c\/p\u003e\u003cp\u003eQuesta pubblicazione combina un \u003cstrong\u003eplaying score\u003c\/strong\u003e (conducteur) e un \u003cstrong\u003eset of parts\u003c\/strong\u003e (parti separate), un vantaggio essenziale per lavorare rapidamente: ogni musicista dispone della propria parte dedicata mentre l'insieme può essere seguito dal conducteur. È una configurazione molto apprezzata per risparmiare tempo nella preparazione, limitare gli errori di impaginazione e facilitare la comunicazione musicale tra gli interpreti.\u003c\/p\u003e\u003cp\u003eL'approccio \u003cstrong\u003eUrtext\u003c\/strong\u003e pone l'accento sul rispetto del testo musicale, privilegiando un'edizione basata sulle fonti piuttosto che su riscritture. L'edizione è realizzata da \u003cstrong\u003eArnold Feil\u003c\/strong\u003e, garanzia di un lavoro editoriale serio e coerente. La rilegatura a punti metallici offre una manipolazione semplice e un ingombro ridotto, pratica per i leggii e il trasporto.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePlaying Score; Set of Parts; Edizione Urtext (edizione preparata da Arnold Feil)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolino, Viola, Violoncello, Contrabbasso, Pianoforte\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356686340371,"sku":"40530","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0a89a837b31fec983d1e3990dcce7b86bd6522fd_BA5608.jpg?v=1789465977"},{"product_id":"barenreiter-bach-j-s-three-sonatas-for-violoncello-and-harpsichord-bwv-1027-1029-299708","title":"Bach J.S. - Three Sonatas For Violoncello And Harpsichord BWV 1027-1029","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eBach, Johann Sebastian\u003cbr \/\u003eThree Sonatas for Violoncello and Harpsichord\u003cbr \/\u003eaccording to BWV 1027-1029\u003cbr \/\u003e\u003cbr \/\u003eEditor Eppstein, Hans\u003c\/p\u003e\u003cp\u003eQuesta partitura riunisce tre sonate essenziali di Johann Sebastian Bach, pensate per un vero lavoro di musica da camera tra violoncello e clavicembalo. Il percorso proposto, \"according to BWV 1027-1029\", copre opere molto complementari: frasi lunghe da costruire con respiro, un contrappunto da chiarire e un'organizzazione che richiede una coordinazione precisa tra i due interpreti. È un supporto particolarmente pertinente per affinare lo stile barocco (articolazioni, ornamenti, equilibrio delle voci) sviluppando al contempo la stabilità ritmica e l'espressività. Che stiate preparando una lezione, un'audizione o un concerto, questa raccolta si inserisce naturalmente tra le partiture di riferimento per violoncello e clavicembalo intorno a Bach.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohann Sebastian Bach\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello e clavicembalo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHans Eppstein (editore)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura classica (musica barocca)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356687094035,"sku":"299708","price":26.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/baba008486a4ee205c76d1387a04c1071a9e0bd9_BA5210.jpg?v=1789422583"},{"product_id":"barenreiter-j-s-messe-en-fa-majeur-bwv-233-lutherische-messe-reduction-ch-piano-40459","title":"J.S. - Messe En Fa Majeur Bwv 233 Lutherische Messe - Reduction Ch Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eConcepita per rispondere alle esigenze dei musicisti in situazione di lavoro, questa edizione propone una \u003cstrong\u003eriduzione per pianoforte\u003c\/strong\u003e accompagnata da un \u003cstrong\u003edirettore vocale\u003c\/strong\u003e, permettendo di preparare l'opera senza disporre immediatamente dell'orchestra. L'organico vocale è chiaramente strutturato attorno a tre solisti (soprano, contralto e basso) e a un \u003cstrong\u003ecoro misto SATB\u003c\/strong\u003e (soprani, contralti, tenori, bassi), offrendo una lettura confortevole sia per i coristi sia per il maestro del coro.\u003c\/p\u003e \u003cp\u003eLa scelta di un'\u003cstrong\u003eedizione Urtext\u003c\/strong\u003e apporta un vero valore aggiunto: la partitura mira a una restituzione precisa del testo musicale, con una presentazione pensata per limitare le ambiguità interpretative e facilitare la lettura a prima vista. È un supporto particolarmente pertinente per i conservatori, gli ensemble vocali, le maîtrise e tutte le formazioni che desiderano affrontare il repertorio con una base editoriale solida. L'editore scientifico \u003cstrong\u003eEmil Platen\u003c\/strong\u003e garantisce un lavoro di edizione rigoroso, utile tanto allo studio quanto alla produzione.\u003c\/p\u003e \u003cp\u003eGrazie alla presenza simultanea delle linee solistiche e del coro, questa partitura si adatta sia al \u003cstrong\u003elavoro individuale\u003c\/strong\u003e (messa a punto degli ingressi, intonazione, testo) sia al \u003cstrong\u003elavoro collettivo\u003c\/strong\u003e (equilibri, articolazioni, coesione delle sezioni). La riduzione per pianoforte rende il contenuto accessibile in prova, conservando al contempo una visione chiara delle sfide musicali della versione con \u003cstrong\u003eorchestra\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano Reduction\/Vocal Score; Urtext Edition (editore: Emil Platen)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOrganico\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSoprano solo, Contralto solo, Basso solo, Coro misto SATB, Orchestra\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356693352723,"sku":"40459","price":11.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7ac99cdb79fc666ed91a4a436bc1f03911cef3bb_BA5182A.jpg?v=1789452975"},{"product_id":"barenreiter-moz-w-a-quette-fur-flote-violine-viola-und-violoncello-conducteur-poche-49851","title":"Moz W.A. - Quette Fur Flote Violine Viola Und Violoncello - Conducteur Poche","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesto studio raccoglie diversi quartetti di Wolfgang Amadeus Mozart per \u003cstrong\u003eflauto, violino, viola e violoncello\u003c\/strong\u003e, un imprescindibile del repertorio di musica da camera classica. Vi si trovano il \u003cstrong\u003eQuartetto in re maggiore KV 285\u003c\/strong\u003e, il \u003cstrong\u003eQuartetto in sol maggiore KV 285a\u003c\/strong\u003e, il \u003cstrong\u003eQuartetto in do maggiore KV Anh. 171 (285b)\u003c\/strong\u003e e il \u003cstrong\u003eQuartetto in la maggiore KV 298\u003c\/strong\u003e, completati da un \u003cstrong\u003eappendice\u003c\/strong\u003e. Conceputa come \u003cstrong\u003epartitura di studio\u003c\/strong\u003e, questa pubblicazione permette di seguire con precisione la scrittura mozartiana: scambi tra il flauto e gli archi, accompagnamenti, controcanti e la gestione delle respirazioni musicali. Grazie all'approccio \u003cstrong\u003eUrtext\u003c\/strong\u003e di Bärenreiter e al lavoro editoriale di Jaroslav Pohanka, questa partitura è particolarmente adatta a studenti, insegnanti e ensemble che desiderano approfondire lo stile, la forma e l'equilibrio sonoro propri dei quartetti per flauto di Mozart.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMozart, Wolfgang Amadeus\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFlauto, Violino, Viola, Violoncello\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePohanka, Jaroslav\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter Studienpartituren - Study scores\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura classica\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356705018131,"sku":"49851","price":6.12,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/817efcc7b6c297b4d72fed51c078b653b4282aab_TP0150.jpg?v=1789466011"},{"product_id":"barenreiter-bach-j-s-concerto-in-g-minor-bwv-1056-violon-piano-284468","title":"Bach J.S. - Concerto In G Minor BWV 1056 - Violon \u0026 Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eConcerto per violino, archi e basso continuo in sol minore\u003c\/strong\u003e di Johann Sebastian Bach propone una versione ricostruita di un concerto per violino oggi scomparso in questa forma. La fonte principale di questa ricostruzione è l'adattamento realizzato dallo stesso Bach, conservato sotto il titolo di Concerto per clavicembalo in fa minore (BWV 1056). Questa edizione mette così in luce il percorso compositivo del compositore, tra materiale per violino e trascrizione per tastiera.\u003c\/p\u003e\u003cp\u003eLa ricostruzione si basa su una valutazione attenta di concerti per clavicembalo autografi di cui si possiede anche una versione originale per violino. L'interesse musicologico è rilevante: alcune modifiche annotate nelle parti autografe rivelano come Bach trasformava una parte solista di violino in scrittura idiomatica per clavicembalo. Per l'interprete, ciò si traduce in una partitura coerente, stilisticamente convincente e particolarmente pertinente per approfondire la retorica e l'articolazione barocche.\u003c\/p\u003e\u003cp\u003eAltro punto di forza: la realizzazione della tastiera\/continuo è presentata in modo volutamente essenziale. Questa chiarezza offre una reale libertà d'azione ai clavicembalisti e continuisti, che potranno completare gli accordi, densificare la tessitura o aggiungere diminuzioni a seconda del contesto (lavoro pedagogico, concerto, organico d'archi). Una partitura ideale per violinisti alla ricerca di un concerto di Bach in sol minore, per ensemble d'archi che desiderano arricchire il loro repertorio barocco e per musicisti attenti alla pratica dell'interpretazione storicamente informata.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBach, Johann Sebastian\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviolino, archi e basso continuo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUrtext \u0026quot;New Bach Edition\u0026quot;\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura classica (concerto)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356720550163,"sku":"284468","price":15.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2908761675c0d6acdfc5b88550fc764d33785ec2_BA514690.jpg?v=1789422512"},{"product_id":"barenreiter-schubert-trio-in-e-flat-major-for-piano-violin-and-violoncello-e-flat-major-d-929-op-100-67047","title":"Schubert - Trio In E-Flat Major For Piano Violin And Violoncello E-Flat Major D 929 Op. 100","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eConcepita per la pratica della musica da camera, questa edizione riunisce tutto il necessario per suonare e provare in formazione \u003cstrong\u003eviolino, violoncello e pianoforte\u003c\/strong\u003e. Il pacchetto combina una \u003cstrong\u003epartitura di esecuzione\u003c\/strong\u003e per la lettura d'insieme e un \u003cstrong\u003eset di parti separate\u003c\/strong\u003e che permette a ogni strumentista di lavorare in modo autonomo, per poi ritrovare facilmente i propri riferimenti durante la prova.\u003c\/p\u003e \u003cp\u003eL'interesse principale di questa pubblicazione risiede nel suo approccio \u003cstrong\u003eUrtext\u003c\/strong\u003e: mira a restituire il materiale musicale in una versione il più fedele possibile alle fonti, senza aggiunte interpretative superflue. Questa posizione la rende una scelta eccellente per i musicisti che desiderano costruire la propria interpretazione su una base solida, sia in conservatorio, in ciclo specializzato, o per un progetto di concerto in trio con pianoforte.\u003c\/p\u003e \u003cp\u003eGrazie a una presentazione orientata al \"gioco\" (Playing Score), la lettura in situazione d'insieme rimane confortevole, in particolare per il pianista che deve mantenere una visione globale del tessuto musicale. Le \u003cstrong\u003eparti separate\u003c\/strong\u003e facilitano invece il lavoro sulla fraseggiatura, sull'articolazione e sugli equilibri, essenziali in un trio dove ogni linea conta. Il tutto è proposto in \u003cstrong\u003ebroché (paperbound)\u003c\/strong\u003e, pratico da maneggiare sul leggio e da trasportare per le prove.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePlaying Score; Set of Parts; Urtext Edition (edizione curata da Arnold Feil)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolino, violoncello, pianoforte\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356741292307,"sku":"67047","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8ae2561c057ad7234da543b7c877daafd5140d25_BA5610_d885cf26-612b-4dd0-a1ac-84168bc943f7.jpg?v=1789465941"},{"product_id":"barenreiter-elgar-e-konzert-fur-violoncello-und-orchester-op-85-violoncelle-et-piano-240996","title":"Elgar E. - Konzert Fur Violoncello Und Orchester Op.85 - Violoncelle et Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eSpesso considerata l'ultima grande partitura di Edward Elgar, il Concerto per violoncello si distingue per la sua rara combinazione di sobrietà formale e carica emotiva. L'opera cattura fin dalle prime battute con un gesto musicale diretto, quasi come un atto di parola, prima di sviluppare un racconto fatto di contrasti, slanci trattenuti e atmosfere introspettive. Questa scrittura, al contempo chiara e profondamente espressiva, spiega perché questo concerto occupa un posto centrale nel repertorio: non cerca l'effetto, ma la verità del canto e la forza del sottotesto.\u003c\/p\u003e \u003cp\u003eNel corso dei movimenti, il violoncello alterna lirismo e tensione, con un'attenzione particolare alla continuità del fraseggio, alla densità del timbro e alla gestione delle transizioni. I temi si rispondono con logica, lasciando emergere un'emozione a fior di pelle, rendendo questa partitura tanto appassionante da studiare quanto da interpretare. Per il musicista, è un'occasione ideale per lavorare sulla proiezione del suono, sulle sfumature lunghe, sui cambi d'arco al servizio della linea, nonché sull'arte di far vivere i silenzi e le sospensioni. Un riferimento per ogni violoncellista attratto dalla musica romantica tardiva e dalle opere in cui la narrazione musicale prevale sulla virtuosità dimostrativa.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEdward Elgar\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura classica\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello e orchestra\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356746567955,"sku":"240996","price":23.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e747df3d69eac4a66a5e5dbb2567e616e71f7d76_HL_BA9040_90.jpg?v=1789444572"},{"product_id":"barenreiter-janacek-l-sonata-for-clarinet-piano-185946","title":"Janacek L. - Sonata For Clarinet \u0026 Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta edizione propone la \u003cstrong\u003eSonata per Clarinetto e Pianoforte\u003c\/strong\u003e di Leo Janá?ek, realizzata \u003cstrong\u003edalla Sonata per Violino e Pianoforte\u003c\/strong\u003e. L'arrangiamento si basa sulla \"Complete Critical Edition of the Works of Leo Janá?ek\" (Serie E\/1-2), garantendo una solida base musicologica e una grande coerenza stilistica. Ideata dalla clarinettista israeliana \u003cstrong\u003eShirley Brill\u003c\/strong\u003e, questa versione valorizza le qualità specifiche dello strumento: flessibilità del legato, varietà dei timbri, intensità del canto nel medio registro e capacità di modellare il fraseggio con grande sottigliezza. Per conservare l'impatto e la chiarezza dell'originale, alcuni passaggi prevedono un'\u003cstrong\u003eadattamento puntuale dell'accompagnamento al pianoforte\u003c\/strong\u003e, pensato per mantenere l'equilibrio sonoro e la leggibilità dei piani. La trascrizione è stata \u003cstrong\u003ecommissionata per l'International Janá?ek Competition 2014\u003c\/strong\u003e a Brno, rendendola una scelta pertinente per il repertorio da concorso, il lavoro interpretativo e la musica da camera in concerto. Il prodotto è fornito in \u003cstrong\u003epartitura d'esecuzione\u003c\/strong\u003e con \u003cstrong\u003eparti\u003c\/strong\u003e separate, permettendo una preparazione efficace in duo clarinetto-pianoforte.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJaná?ek, Leo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClarinetto (in si bemolle) e pianoforte\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBrill, Shirley\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingue\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTedesco, inglese, ceco\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBA 9581\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eIV + 27 \/ 8\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356750205203,"sku":"185946","price":23.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/759b8418c30c6bd2b5b20001b1f1a596e69bb7a6_BA9581.jpg?v=1789453017"},{"product_id":"barenreiter-mozart-w-a-sinfonia-concertante-in-es-dur-alto-2-40414","title":"Mozart W. 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Lavorare a partire da una parte separata permette di concentrarsi sull'intonazione, la qualità dell'arco, le articolazioni e l'omogeneità della sezione, punti chiave per ottenere un suono d'insieme equilibrato.\u003c\/p\u003e\u003cp\u003eQuesta partitura si rivolge sia agli altisti in orchestra sia agli studenti e insegnanti di conservatorio che desiderano preparare una prova, un esame o un programma di concerto. Per ottimizzare la preparazione, si consiglia di individuare le entrate importanti, di consolidare il posizionamento ritmico nei passaggi di supporto armonico e di anticipare le respirazioni musicali per mantenere una linea stabile ed espressiva.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWolfgang Amadeus Mozart\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura classica\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlto 2 (parte separata)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356751122707,"sku":"40414","price":2.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6552aa9b9faa891dd761959139d5f19953f8160d_HL_BA4900_80.jpg?v=1789465881"},{"product_id":"barenreiter-badura-skoda-paul-cadences-et-introductions-aux-concertos-pour-piano-de-w-a-mozart-piano-40321","title":"BADURA-skoda Paul - Cadences et Introductions Aux Concertos Pour Piano De W.a. 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Pensata per i pianisti che desiderano curare lo stile classico, questa raccolta permette di affrontare i passaggi tradizionalmente lasciati all'invenzione dell'interprete pur rimanendo in una scrittura coerente con l'estetica mozartiana: fraseggio, articolazione, equilibrio armonico e senso del dialogo con l'orchestra.\u003c\/p\u003e\u003cp\u003eIl contenuto copre in particolare interventi per movimenti precisi (spesso il \u003cstrong\u003e3deg movimento\u003c\/strong\u003e ) nonché insiemi completi \"Kadenzen und Eingänge\", talvolta completati da \u003cstrong\u003eAuszierungen\u003c\/strong\u003e (ornamenti). Avete così a disposizione un materiale immediatamente sfruttabile per il lavoro in corso, la preparazione di audizioni o la messa in scena con accompagnamento, sviluppando al contempo i vostri riflessi di improvvisazione controllata e la comprensione delle cadenzas classiche.\u003c\/p\u003e\u003cp\u003eKadenz zum 3. 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Satz des Klavierkonzerts in B KV 595\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWolfgang Amadeus Mozart\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePianoforte\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356758790419,"sku":"40321","price":27.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/61812350b726b53a5af345962a311185ce578796_BA4461_949fa2b4-b108-414f-86af-df0fa02cebf3.jpg?v=1789422579"},{"product_id":"barenreiter-haydn-j-symphony-in-d-minor-lamentazione-hob-i-26-score-191646","title":"Haydn J. - Symphony In D Minor \"lamentazione\" Hob. I:26 - Score","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura Urtext della \u003cstrong\u003eSinfonia n. 26 in re minore Hob. I:26\u003c\/strong\u003e mette in luce un'opera singolare di Joseph Haydn, il cui soprannome \"Lamentazione\" circolava già in vita, senza che la sua attribuzione al compositore fosse del tutto certa. Datata verosimilmente \u003cstrong\u003eal più tardi nel 1770\u003c\/strong\u003e, si distingue per l'integrazione, nei suoi primi due movimenti, di citazioni tratte da \u003cstrong\u003ecanti gregoriani della Settimana Santa\u003c\/strong\u003e. Ai tempi di Haydn, era comune eseguire movimenti isolati durante le funzioni religiose: queste pagine possono quindi essere considerate come eseguite, o addirittura concepite, in modo relativamente indipendente, il che ne rafforza il carattere sia drammatico che meditativo.\u003c\/p\u003e\u003cp\u003eNel proseguimento della collaborazione editoriale tra \u003cstrong\u003eBärenreiter\u003c\/strong\u003e e la casa \u003cstrong\u003eHenle\u003c\/strong\u003e intorno alle grandi opere (cori, opere, sinfonie), questa pubblicazione si inserisce in una serie già ricca: diverse sinfonie Sturm und Drang così come l'intero corpus delle sinfonie di \u003cstrong\u003eLondra\u003c\/strong\u003e e di \u003cstrong\u003eParigi\u003c\/strong\u003e sono state oggetto di materiali completi. Il risultato è un supporto particolarmente adatto al lavoro orchestrale (prove, concerti, progetti didattici), con una stampa chiara e un testo musicale affidabile, ideale per un'interpretazione esigente del repertorio classico.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJoseph Haydn\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura classica (sinfonia)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFriesenhagen, Andreas \/ Heitmann, Christin\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTedesco, Inglese\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter (BA 10975)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eIV, 15 p.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOrchestra (parti incluse: Oboe (2), Corno (2), Violino (2), Viola, Basso)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356763967763,"sku":"191646","price":26.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1b3500569318f46e429a2bdf90e3a4c54a5a9918_BA10975.jpg?v=1789452976"},{"product_id":"barenreiter-mozart-wolfgang-amadeus-mozart-streichquartett-in-b-49956","title":"Mozart Wolfgang Amadeus - Mozart: Streichquartett In B","description":"\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356774060307,"sku":"49956","price":2.18,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/fde2a71fb411cc3294f13ed06e15a577713b0b89_PARTOCHEEEE_13f83f27-a3bd-4c51-b266-49d219543d9d.jpg?v=1789465908"},{"product_id":"barenreiter-moz-w-a-rondo-en-mib-majeur-pour-cor-et-orchestre-kv-371-cor-piano-40494","title":"Moz W.A. - Rondo En Mib Majeur Pour Cor Et Orchestre Kv 371 - Cor Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta edizione offre una lettura orientata al \"campo\" grazie a una \u003cstrong\u003eriduzione per pianoforte\u003c\/strong\u003e associata a una \u003cstrong\u003eversione vocale\u003c\/strong\u003e, un formato particolarmente apprezzato per preparare una produzione, accompagnare una prova o consolidare l'interpretazione prima di ritrovare l'organico completo. La scelta di un'\u003cstrong\u003eedizione Urtext\u003c\/strong\u003e ne fa un supporto affidabile per musicisti esigenti, alla ricerca di una notazione rigorosa e coerente.\u003c\/p\u003e\u003cp\u003eL'organico indicato mette in evidenza un dispositivo di musica classica articolato attorno a un \u003cstrong\u003ecorno solista\u003c\/strong\u003e (HnSolo), supportato da \u003cstrong\u003edue oboi\u003c\/strong\u003e, \u003cstrong\u003edue corni\u003c\/strong\u003e e le \u003cstrong\u003ecorde\u003c\/strong\u003e. Questa combinazione permette di lavorare finemente l'equilibrio tra linea solista e accompagnamento, l'intonazione (in particolare nelle entrate del corno), nonché la fusione dei timbri tra fiati e archi. La riduzione per pianoforte facilita l'individuazione armonica, l'impostazione ritmica e la preparazione delle dinamiche, offrendo al contempo una soluzione efficace quando l'orchestra non è al completo.\u003c\/p\u003e\u003cp\u003ePubblicata sotto la supervisione di \u003cstrong\u003eFranz Giegling\u003c\/strong\u003e, questa partitura si rivolge a interpreti, insegnanti e studenti che desiderano disporre di un materiale chiaro, pratico e pertinente sia per lo studio che per la preparazione artistica.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano Reduction\/Vocal Score; Single Part; Urtext Edition\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOrganico\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHnSolo, 2 Oboe, 2 Horn, Strings\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGiegling, Franz (editore)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRilegatura\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eagrafata (stapled)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356782481683,"sku":"40494","price":15.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/36bc29ea82dcc91ac9759c3336a948f88dc21cf6_BA5329A.jpg?v=1789465937"},{"product_id":"barenreiter-schubert-f-variations-on-trockne-blumen-from-die-schone-mullerin-op-post-160-d-802-flute-p-114883","title":"Schubert F. - Variations On Trockne Blumen From Die Schone Mullerin Op.Post.160 D 802 - Flute P","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eConcepita per il duo \u003cstrong\u003eflauto \/ pianoforte\u003c\/strong\u003e, questa partitura rappresenta un'ottima scelta per arricchire il vostro repertorio e strutturare le vostre sessioni di lavoro, sia a lezione, al conservatorio o in pratica autonoma. La presenza di un accompagnamento al pianoforte permette di lavorare sull'intonazione, la precisione e il fraseggio in un contesto musicale completo, rafforzando al contempo la stabilità ritmica e la precisione degli attacchi.\u003c\/p\u003e \u003cp\u003eRealizzata sotto l'edizione di \u003cstrong\u003eHelmut Wirth\u003c\/strong\u003e e \u003cstrong\u003eAndrás Adorján\u003c\/strong\u003e, questa pubblicazione pone l'accento su una lettura confortevole e una impaginazione adatta alle esigenze degli strumentisti. Il formato \u003cstrong\u003espillato\u003c\/strong\u003e favorisce un utilizzo quotidiano: si infila facilmente in una borsa di spartiti e rimane piacevole da consultare durante le prove.\u003c\/p\u003e \u003cp\u003eChe stiate preparando un'audizione, un esame o un momento di musica a due, questa partitura flauto pianoforte offre una base di lavoro solida per affrontare l'equilibrio sonoro, l'articolazione e la coordinazione tra solista e accompagnatore. È inoltre un supporto pertinente per sviluppare l'ascolto reciproco e la costruzione musicale, indispensabili nella musica da camera.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRock\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWirth, Helmut \/ Adorján, András\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFlauto, Pianoforte\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356799095059,"sku":"114883","price":19.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/02389cb57ccab1ff6bddde46516afc1bf26d6e7a_BA5641.jpg?v=1789465974"},{"product_id":"barenreiter-mozart-wolfgang-amadeus-mozart-streichquartett-in-f-49957","title":"Mozart Wolfgang Amadeus - 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I primi schizzi risalgono al 1796, e la prima edizione appare nell'ottobre 1797, in un periodo in cui Beethoven afferma già un linguaggio potente e personale.\u003c\/p\u003e\u003cp\u003eConcepita in quattro movimenti, questa sonata copre uno spettro emotivo molto ampio, alternando ampiezza lirica, energia ritmica e passaggi di alta virtuosità. La sua durata e le sue esigenze tecniche ne fanno una partitura di scelta per i pianisti avanzati che desiderano affrontare una \"grande forma\" beethoveniana, con tutto ciò che implica in termini di struttura, respiro della frase e gestione dei contrasti. L'opera è dedicata ad Anna Luise Barbara (Babette) contessa Keglevicz, allieva di Beethoven di circa 16 anni all'epoca, una dedica che sottolinea quanto questa musica potesse già rappresentare una vera vetta da scalare.\u003c\/p\u003e\u003cp\u003eQuesta edizione Urtext, preparata dallo specialista riconosciuto a livello internazionale Jonathan Del Mar, si basa su una ricerca approfondita delle fonti per proporre un testo musicale affidabile, accompagnato da un commento critico dettagliato. L'impaginazione elegante, pensata per la lettura al leggio, privilegia la chiarezza e sequenze di pagine pratiche. Infine, le informazioni orientate all'interpretazione (uso del pedale, articolazione, ornamenti) offrono un'illuminazione concreta per costruire una lettura stilisticamente coerente, sia in fase di studio, durante le lezioni o nella preparazione del concerto.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLudwig van Beethoven\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAvanzata\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePianoforte (solo)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1797 (prima edizione)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura classica (sonata per pianoforte)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356827504915,"sku":"257470","price":10.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0b1eb565fcf58d39c20a929879720ce2b58fd6fa_BA11802.jpg?v=1789422596"},{"product_id":"barenreiter-beethoven-l-v-klavierkonzert-n-1-in-c-op-15-piano-reduction-157532","title":"Beethoven L.V. - Klavierkonzert N°1 In C Op.15 - Piano Reduction","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta edizione critica Bärenreiter del \u003cstrong\u003eConcerto per pianoforte n. 1 in do maggiore op. 15\u003c\/strong\u003e mette in luce scoperte importanti realizzate dall'editore Jonathan Del Mar, specialista riconosciuto di Beethoven. Esaminando le fonti, ha identificato \u003cstrong\u003e17 correzioni\u003c\/strong\u003e annotate direttamente nell'autografo, ma \u003cstrong\u003edopo\u003c\/strong\u003e la pubblicazione dell'opera. Queste modifiche, ora prese in considerazione, affinano la lettura del testo musicale e apportano una precisione preziosa a tutti coloro che cercano una versione affidabile, il più possibile vicina alle intenzioni del compositore.\u003c\/p\u003e\u003cp\u003eOltre alla sua rigore scientifico, questa partitura rimane decisamente orientata alla pratica. La pubblicazione propone una \u003cstrong\u003eriduzione per pianoforte\u003c\/strong\u003e accompagnata da \u003cstrong\u003eparti\u003c\/strong\u003e, tra cui una \u003cstrong\u003eparte di pianoforte solista separata\u003c\/strong\u003e (inclusi due esemplari della parte pianistica). Questo formato facilita la preparazione, sia per il lavoro individuale, l'accompagnamento o l'organizzazione delle prove. 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Il formato ridotto è particolarmente adatto per corsi di analisi, per il seguito di registrazioni o per la preparazione di un lavoro di quartetto quando si desidera mantenere una visione d'insieme della tessitura e degli equilibri tra le voci.\u003c\/p\u003e\u003cp\u003eQuesto volume raccoglie tre quartetti principali del repertorio per \u003cstrong\u003e2 violini, viola e violoncello\u003c\/strong\u003e, offrendo un'immersione progressiva in una scrittura densa, espressiva e architettata. L'interesse di uno studio in partitura (piuttosto che in parti separate) risiede nella comprensione immediata degli ingressi tematici, dei dialoghi tra le sezioni, delle sovrapposizioni ritmiche e del trattamento dell'armonia, elementi determinanti per affinare l'interpretazione e la coesione d'insieme.\u003c\/p\u003e\u003cp\u003eIl contenuto è preceduto da un'\u003cstrong\u003eIntroduzione\u003c\/strong\u003e e da una \u003cstrong\u003ePrefazione\u003c\/strong\u003e, disponibili anche come \u003cstrong\u003eEinführung\u003c\/strong\u003e e \u003cstrong\u003eVorwort\u003c\/strong\u003e, per accompagnare la lettura e contestualizzare l'edizione. Seguono poi, senza modifiche ai titoli, le opere seguenti:\u003cbr \/\u003eQuartett in F op. 59 Nr. 1 \/ Quartet in F major op. 59 no. 1\u003cbr \/\u003eQuartett in e op. 59 Nr. 2 \/ Quartet in E minor op. 59 no. 2\u003cbr \/\u003eQuartett in C op. 59 Nr. 3 \/ Quartet in C major op. 59 no. 3\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDel Mar, Jonathan\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollana\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter Studienpartituren - Study scores\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eStudy Score; Urtext Edition\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etedesco, inglese\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 Violini, Viola, Violoncello\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356851884307,"sku":"78635","price":27.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f785f81218c10b119acae04d1bd327e873db6400_TP0917.jpg?v=1789422532"},{"product_id":"barenreiter-crayon-beethoven-a-l-unite-305721","title":"Matita Beethoven (Singolarmente)","description":"\u003ch3\u003eRiassunto di questa matita\u003c\/h3\u003eHai appena finito una lezione di musica e vuoi annotare rapidamente i consigli del professore, le diteggiature da ricordare o i passaggi da lavorare in priorità? La \u003cstrong\u003eBärenreiter Beethoven Pencil\u003c\/strong\u003e è progettata per quei momenti in cui si ha bisogno di scrivere velocemente e in modo pratico, sia su un quaderno di lezioni, un foglio di lavoro o accanto alla propria partitura. Il suo tema Beethoven la rende un piccolo accessorio ispirante per accompagnare le sessioni di pianoforte, archi, canto o formazione musicale.\u003cbr \/\u003eA casa, al conservatorio o in prova, questa matita diventa un riflesso: annotare un tempo, una respirazione, un riferimento di misura, un'idea di interpretazione, o semplicemente una lista di punti da rivedere prima della prossima lezione. Semplice e utile, si rivolge tanto agli studenti quanto agli insegnanti, e sarà adatta anche a chi ama i bei oggetti di cancelleria legati alla musica classica.\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLudwig van Beethoven\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAccessorio di libreria musicale\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356853752083,"sku":"305721","price":0.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6a5829e92aa69a81c9e9a96a0ebab317dffb3168_SPA510.jpg?v=1789154715"},{"product_id":"barenreiter-j-s-magnificat-en-re-majeur-bwv-243-reduction-ch-piano-57476","title":"J.S. - Magnificat En Re Majeur Bwv 243 - Reduction Ch Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta partitura propone una \u003cstrong\u003eversione in re maggiore\u003c\/strong\u003e che integra \u003cstrong\u003equattro movimenti\u003c\/strong\u003e aggiunti e trasposti dalla prima versione in \u003cstrong\u003emi bemolle maggiore\u003c\/strong\u003e. 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La rilegatura \u003cstrong\u003espillata\u003c\/strong\u003e rafforza la maneggevolezza sul leggio, soprattutto durante le sessioni di lavoro intensive.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano Reduction\/Vocal Score\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 Soprano solisti, Contralto solista, Tenore solista, Basso solista, Coro misto: SSATB, Orchestra\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356883767571,"sku":"57476","price":10.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4b5d4d23b0b734c7871c7447451c61fa3969d1b3_BA5103A.jpg?v=1789453060"},{"product_id":"barenreiter-lindley-robert-capriccios-exercices-op-15-violoncelle-312858","title":"Lindley Robert - Capriccios \u0026 Exercices Op.15 - Violoncelle","description":"\u003ch3\u003eRiassunto di questo metodo\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eCapricci ed esercizi per violoncello op. 15\u003c\/strong\u003e raccoglie un insieme di studi strutturati per approfondire i fondamenti avanzati del violoncello coltivando al contempo la musicalità. Destinato a strumentisti già tecnicamente solidi, questa pubblicazione pone l'accento sulle situazioni più formative del repertorio: concatenazioni di posizioni, stabilità della mano sinistra, intonazione negli intervalli e padronanza della frase musicale.\u003c\/p\u003e\u003cp\u003eNel corso delle pagine, il lavoro si concentra su una \u003cstrong\u003egrande varietà di modelli di diteggiature\u003c\/strong\u003e in armonie maggiori e minori associate. L'obiettivo è duplice: sviluppare la logica del manico (anticipazione, scelta delle posizioni, coerenza delle estensioni) e arricchire la palette di soluzioni secondo il tempo, l'articolazione o il colore ricercato. Gli \u003cstrong\u003eesercizi sulla posizione del pollice\u003c\/strong\u003e offrono un quadro progressivo per garantire l'accesso sicuro al registro acuto, mentre i numerosi \u003cstrong\u003edoppio stop\u003c\/strong\u003e rafforzano l'equilibrio tra mano sinistra e mano destra e l'ascolto armonico.\u003c\/p\u003e\u003cp\u003eQuesta edizione firmata \u003cstrong\u003eBärenreiter\u003c\/strong\u003e, in \u003cstrong\u003eedizione critica\u003c\/strong\u003e, è curata da \u003cstrong\u003eValerie Walden\u003c\/strong\u003e. Propone \u003cstrong\u003esegni di curvatura\u003c\/strong\u003e e \u003cstrong\u003editeggiature moderne\u003c\/strong\u003e, sia originali che alternative, per offrire a studenti e insegnanti opzioni pertinenti secondo le scuole di esecuzione e le morfologie. Le pagine apribili migliorano il comfort di lettura sul leggio, particolarmente apprezzabile per un lavoro tecnico continuo.\u003c\/p\u003e\u003cp\u003eComposti da \u003cstrong\u003eRobert Lindley\u003c\/strong\u003e (1776-1855), figura di rilievo del violoncello in Inghilterra e primo professore di violoncello alla Royal Academy of Music di Londra (nominato nel 1822), questi capricci ed esercizi si inseriscono in una tradizione in cui la tecnica serve la chiarezza del discorso musicale. Un supporto di scelta per consolidare virtuosismo e precisione, preparando efficacemente le esigenze del grande repertorio.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodi\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRobert Lindley\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVioloncello\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eValerie Walden (edizione critica)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMetodo e studi per violoncello\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAvanzata\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356885078291,"sku":"312858","price":21.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6bf8ded69a66515161000f3252ec2f44cc4dd0e9_BA10936.jpg?v=1789453083"},{"product_id":"barenreiter-bach-jean-sebastien-bach-concerto-in-a-major-violon-2-40444","title":"Bach JEAN-sebastien - Bach - Concerto In A Major (violon 2)","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eConcerto per Oboe d'amore in la maggiore\u003cbr \/\u003eRicostruzione dopo BWV 1055\u003cbr \/\u003e\u003cbr \/\u003eParte separata di violino 2\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eQuesta edizione propone la \u003cstrong\u003eparte separata di violino 2\u003c\/strong\u003e di un concerto per \u003cstrong\u003eoboe d'amore\u003c\/strong\u003e in \u003cstrong\u003ela maggiore\u003c\/strong\u003e, presentato in una \u003cstrong\u003ericostruzione dopo BWV 1055\u003c\/strong\u003e. Destinata ai musicisti d'orchestra, pone l'accento sull'efficacia in situazione reale: riferimenti alla scrittura concertante, alternanza tra accompagnamento ritmico e dialoghi con il solista, e articolazione tipica del repertorio barocco.\u003c\/p\u003e\u003cp\u003eIl violino 2 vi svolge un ruolo essenziale di supporto e rilievo: rinforzo dell'armonia, raddoppi strutturanti, risposte ai motivi dei primi violini e partecipazione alle dinamiche d'insieme. Questa parte separata è particolarmente utile per le \u003cstrong\u003eprove di leggio\u003c\/strong\u003e, i concerti con solista, o la costituzione di un \u003cstrong\u003emateriale d'orchestra\u003c\/strong\u003e affidabile, senza manipolazione della partitura.\u003c\/p\u003e\u003cp\u003eGrazie a una presentazione autonoma, questa partitura facilita la concentrazione sull'intonazione, sull'assetto e sull'equilibrio sonoro, mantenendo una visione chiara delle concatenazioni. Una scelta pertinente per gli ensemble che desiderano affrontare un \u003cstrong\u003econcerto barocco\u003c\/strong\u003e in la maggiore con una parte di \u003cstrong\u003eviolino 2\u003c\/strong\u003e pronta da suonare, pensata per la lettura e la coesione di gruppo.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eParte separata - violino 2\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356914405651,"sku":"40444","price":2.76,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/52439812fec907ce9d9ea522b9157f2d6ed26d6c_HL_BA5145_75_2e9ef201-b491-47d7-a801-0ffc1c4cac29.jpg?v=1789422517"},{"product_id":"barenreiter-j-s-wie-schon-leuchtet-der-morgenstern-cate-bwv-1-ch-piano-40185","title":"J.S. - Wie Schon Leuchtet Der Morgenstern Cate Bwv 1 - Ch Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta partitura presenta la \u003cstrong\u003eCantata for the Feast of Annunciation\u003c\/strong\u003e sotto forma di \u003cstrong\u003epartitura canto con riduzione pianoforte\u003c\/strong\u003e, pensata per facilitare il lavoro in prova mantenendo la coerenza musicale dell'opera. Conceputa per la celebrazione dell'Annunciazione, la cantata si basa su una scrittura vocale e corale ricca, sostenuta da una tavolozza strumentale luminosa (in particolare corni e oboi), con \u003cstrong\u003eorgano \/ basso continuo\u003c\/strong\u003e per consolidare l'armonia e la pulsazione.\u003c\/p\u003e\u003cp\u003eL'opera segue un percorso in sei sezioni, ideale per organizzare il lavoro delle sezioni e dei solisti: un \u003cstrong\u003ecoro d'apertura\u003c\/strong\u003e \"Wie schön leuchtet der Morgenstern \/ How bright and fair the morning star\", poi un \u003cstrong\u003erecitativo di tenore\u003c\/strong\u003e e un \u003cstrong\u003earia di soprano\u003c\/strong\u003e che valorizzano la linea vocale e il fraseggio. Il cuore della cantata alterna quindi \u003cstrong\u003erecitativo di basso\u003c\/strong\u003e e \u003cstrong\u003earia di tenore\u003c\/strong\u003e, prima di concludersi con un \u003cstrong\u003ecorale\u003c\/strong\u003e \"Wie bin ich doch so herzlich froh \/ What joy my Saviour brings to me\".\u003c\/p\u003e\u003cp\u003eI titoli dei movimenti sono presentati con i loro titoli \u003cstrong\u003etedeschi e inglesi\u003c\/strong\u003e, un vero vantaggio per l'orientamento in prova e la preparazione del testo. L'edizione è \u003cstrong\u003ediretta da Matthias Wendt\u003c\/strong\u003e e proposta in \u003cstrong\u003eformato spillato\u003c\/strong\u003e, pratico per il leggio. Un riferimento particolarmente adatto a direttori di coro, accompagnatori e cantanti che desiderano lavorare una cantata per l'Annunciazione con un'\u003cstrong\u003eedizione Urtext\u003c\/strong\u003e in riduzione pianoforte.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReligiosa, Sacra\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano Reduction\/Vocal Score; Urtext Edition\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSoprano solista, Alto solista, Tenore solista, Basso solista, Coro misto SATB, 2 Corni, 2 Oboi, Archi, Organo\/Basso continuo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356952645907,"sku":"40185","price":10.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/90e5ee6d8b815b2bfe33d8553966c111272ae057_BA10001A_2d39532f-4aa8-4f19-bc01-68613c4d11d7.jpg?v=1789453068"},{"product_id":"barenreiter-bach-j-s-messe-h-moll-bwv-232-score-87396","title":"Bach J.S - Messe H-moll BWV 232 - Score","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta Studienpartitur è concepita per accompagnare il lavoro quotidiano del musicista, dell'insegnante o dello studente: lettura approfondita, individuazione dei temi, comprensione delle concatenazioni e preparazione musicale prima delle prove. Grazie al suo formato di studio, si integra naturalmente in una libreria musicale, sia per costituire un fondo di partiture, lavorare sull'analisi o semplicemente disporre di un supporto affidabile per seguire l'opera all'ascolto. Il lavoro editoriale, curato da Uwe Wolf, mette l'accento su una presentazione chiara e coerente, al fine di facilitare la lettura e la presa di appunti. La sua rilegatura flessibile (kartoniert) ne fa una partitura da tasca pratica, adatta agli spostamenti, alle lezioni e alle sessioni di lavoro al leggio, rimanendo comunque piacevole da consultare nel tempo.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eStudienpartitur\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356957004051,"sku":"87396","price":26.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e0d7c739eea763f0c9208816b48e59d09c6e4d43_TP1232.jpg?v=1789422571"},{"product_id":"barenreiter-beethoven-variations-woo-45-op-66-woo-46-violoncelle-piano-128572","title":"Beethoven - Variations Woo 45 Op.66 Woo 46 - Violoncelle \u0026 Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta edizione raccoglie i tre insiemi di variazioni per violoncello e pianoforte di Ludwig van Beethoven, opere imprescindibili del repertorio classico per duo, allo stesso tempo brillanti, espressive e formative. Troverete: \u003cstrong\u003eZwölf Variationen über ein Thema aus dem Oratorium \"Judas Maccabäus\" von Händel WoO 45\u003c\/strong\u003e, \u003cstrong\u003eZwölf Variationen über das Thema \"Ein Mädchen oder Weibchen\" aus der Oper \"Die Zauberflöte\" von Mozart op. 66\u003c\/strong\u003e, nonché \u003cstrong\u003eSieben Variationen über das Thema \"Bei Männern, welche Liebe fühlen\" aus der Oper \"Die Zauberflöte\" von Mozart WoO 46\u003c\/strong\u003e. L'insieme costituisce un programma coerente per il lavoro sullo stile (articolazione, fraseggio, equilibrio con il pianoforte) e la costruzione di un'interpretazione solida.\u003c\/p\u003e\u003cp\u003eConcepita come una vera edizione di riferimento, questa pubblicazione si distingue per la qualità del lavoro editoriale: le versioni precedenti sono state talvolta ristampate con correzioni discrete nel tempo, ma questa nuova edizione Urtext si concentra in particolare sulla correttezza ritmica della parte di violoncello, punto determinante per la chiarezza del discorso e la precisione complessiva. L'autografo dell'op. 66 essendo perduto, il commento critico documenta le fonti e le scelte adottate, basandosi sull'unica fonte conservata (la prima edizione) e proponendo un facsimile completo per chiarire le questioni del testo.\u003c\/p\u003e\u003cp\u003eI contenuti editoriali (Introduction, Preface, Einleitung, Vorwort) e il commento critico offrono un quadro ideale per studenti, insegnanti e interpreti che desiderano collegare la pratica strumentale a una comprensione approfondita delle fonti. Una partitura pensata per uno studio esigente così come per il palcoscenico, al servizio di un Beethoven preciso, leggibile e musicale.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBeethoven, Ludwig van\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003espartito classico (variazioni), musica da camera\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDel Mar, Jonathan\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnglish, German\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter Urtext (BA9028, ISMN 9790006529162)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXI, 64\/15 Seiten - 31,0 x 24,3 cm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epianoforte, violoncello\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356968833299,"sku":"128572","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1f77ec609e1b517a4338d71943fb220bc69d7bc4_BA9028.jpg?v=1789422607"},{"product_id":"barenreiter-pergolese-g-b-stabat-mater-alto-150607","title":"PERGOLESE G.B. - STABAT MATER - ALTO","description":null,"brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356976664851,"sku":"150607","price":6.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/53d37140f6580f73d0081dd4737a5ef6b61d2f40_HL_BA7679_79.jpg?v=1789465922"},{"product_id":"barenreiter-dvorak-a-concerto-in-g-minor-op-33-2-pianos-283828","title":"Dvorak A. - Concerto In G Minor Op.33 - 2 Pianos","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eComposto nel 1876, il \u003cstrong\u003eConcerto per pianoforte e orchestra in sol minore op. 33 B 63\u003c\/strong\u003e occupa un posto singolare nel catalogo di Antonín Dvo?ák: è il suo unico concerto per pianoforte, spesso oscurato dai suoi concerti per violino e violoncello. Questa edizione Urtext propone una lettura rinnovata dell'opera, tornando alle fonti per valorizzare il pensiero originale del compositore, senza \"migliorie\" pianistiche aggiunte a posteriori.\u003c\/p\u003e\u003cp\u003eIl lavoro editoriale si basa su un principio chiaro: \u003cstrong\u003erivalutare il testo autentico\u003c\/strong\u003e. La base principale è la prima impressione completa pubblicata nel 1883 da Hainauer, confrontata con precisione con l'autografo. Questo approccio permette di chiarire numerosi dettagli (articolazioni, dinamiche, frasi) e di offrire un materiale affidabile, ideale per un lavoro approfondito del solista così come per la preparazione con il direttore e l'orchestra.\u003c\/p\u003e\u003cp\u003eUn punto di forza di questa pubblicazione risiede nel suo \u003cstrong\u003ecommento alla pratica esecutiva\u003c\/strong\u003e redatto da Ivo Kahánek. Affrontando lo spirito dello stile, la proiezione del discorso, le scelte di tocco e l'equilibrio con l'orchestra, queste indicazioni accompagnano il pianista nella costruzione di un'interpretazione convincente, rispettosa del testo e musicalmente coinvolgente.\u003c\/p\u003e\u003cp\u003eInfine, la \u003cstrong\u003eriduzione per pianoforte\u003c\/strong\u003e non è un semplice aggiunta funzionale: la vecchia riduzione anonima, nota per essere molto imprecisa, è stata sostituita dalla versione di Karel olc, qui adattata per corrispondere a questo nuovo Urtext. Un supporto di lavoro pertinente per le prove, lo studio o un approccio analitico alla struttura e ai dialoghi solista-orchestra.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAntonín Dvo?ák\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePianoforte e orchestra (con riduzione per pianoforte)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eKarel olc (riduzione per pianoforte)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura classica (concerto)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter (BA 10420-90)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eInglese, ceco, tedesco\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356980007187,"sku":"283828","price":38.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3caccab490adf513b4b50014aae2c0b214630ba2_BA1042090.jpg?v=1789444670"},{"product_id":"barenreiter-duport-jean-louis-21-etudes-pour-violoncelle-40652","title":"Duport Jean-louis - 21 Etudes Pour Violoncelle","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta partitura per \u003cstrong\u003evioloncello\u003c\/strong\u003e propone un approccio flessibile grazie all'aggiunta di un \u003cstrong\u003esecondo violoncello ad libitum\u003c\/strong\u003e. In concreto, puoi lavorare la parte principale in autonomia, poi invitare un secondo violoncellista ad accompagnarti quando desideri sviluppare l'ascolto, la messa a punto ritmica e l'equilibrio delle voci.\u003c\/p\u003e \u003cp\u003eL'accompagnamento opzionale apporta un vero valore pedagogico: aiuta a stabilizzare l'intonazione, a sentire meglio la pulsazione e a costruire riflessi di gioco collettivo. È anche una base eccellente per i duo in lezione, le audizioni degli allievi o i piccoli concerti, mantenendo un'organizzazione semplice ed efficace.\u003c\/p\u003e \u003cp\u003eEdizione a cura di \u003cstrong\u003eMartin Rummel\u003c\/strong\u003e, questa pubblicazione pone l'accento sulla leggibilità e la praticità. La \u003cstrong\u003erilegatura spillata\u003c\/strong\u003e facilita la manipolazione quotidiana e risponde alle esigenze dei musicisti che provano spesso con la partitura sul leggio.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMartin Rummel (edizione)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVioloncello\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356982235411,"sku":"40652","price":26.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/be149e1568f2121a0da0a45b34eeacba18bcdfb8_BA6980.jpg?v=1789444598"},{"product_id":"barenreiter-kabelac-miloslav-8-ricercari-op-51-per-strumenti-a-percussione-1-6-esecutori-64313","title":"Kabelac Miloslav - 8 Ricercari Op.51 Per Strumenti A Percussione (1-6 Esecutori)","description":"\u003ch3\u003eRésumé de cette partition\u003c\/h3\u003e\u003cp\u003eAvec \u003cstrong\u003eEight Ricercari\u003c\/strong\u003e, Kabeláč ouvre un nouveau chapitre de son écriture pour percussions. Après le succès de son précédent cycle \u003cstrong\u003eEight Inventions for percussion instruments\u003c\/strong\u003e, le compositeur choisit ici de ne pas prolonger simplement une formule déjà éprouvée. Son ambition est plus audacieuse : proposer une oeuvre au caractère propre, entièrement renouvelée, où chaque pièce affirme une identité sonore forte.\u003c\/p\u003e\u003cp\u003eÉcrite entre 1966 et 1967, puis légèrement révisée en 1971, cette partition met en avant les qualités spécifiques des instruments de percussion : timbre, attaque, résonance, contraste, densité rythmique et espace sonore. L'écriture fait preuve d'une vraie exigence musicale et d'un sens remarquable de la couleur, ce qui en fait un support de choix pour les percussionnistes en recherche de répertoire contemporain exigeant et inspirant.\u003c\/p\u003e\u003cp\u003ePrévue pour un effectif allant de un à six interprètes, cette partition offre une réelle souplesse d'utilisation tout en conservant une forte cohérence artistique. Elle s'adresse particulièrement aux ensembles de percussions, aux conservatoires, aux classes de musique contemporaine et aux musiciens souhaitant approfondir le langage de Kabeláč à travers une oeuvre structurée, inventive et singulière.\u003c\/p\u003e\u003cp\u003eCette édition présente un intérêt tout particulier : il s'agit de la \u003cstrong\u003epremière édition imprimée\u003c\/strong\u003e de l'oeuvre. Elle s'appuie à la fois sur le manuscrit conservé à Prague et sur une copie minutieusement établie du vivant du compositeur, puis corrigée par lui. Le résultat est une partition fiable, précieuse pour l'étude comme pour la scène, et parfaitement adaptée aux exigences du travail d'interprétation.\u003c\/p\u003e\n\n\u003ch2\u003eCaractéristiques techniques\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositeur\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eKabeláč\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eensemble de percussions, de 1 à 6 interprètes\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eÉdition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epremière édition imprimée\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartition contemporaine pour percussions\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356983415059,"sku":"64313","price":31.02,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2a2c45453e1a0c20036773cf5084c260f4ec4bb9_HLE_BAH7994.jpg?v=1789440347"},{"product_id":"barenreiter-klezmer-for-clarinet-and-piano-171476","title":"Klezmer For Clarinet And Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eKlezmer for Clarinet and Piano\u003c\/strong\u003e mette in risalto uno degli strumenti principali della tradizione klezmer: il clarinetto. Attraverso otto arrangiamenti, questa raccolta percorre un ampio ventaglio di stili ispirati alla musica ebraica ashkenazita, alternando atmosfere danzanti e frasi più cantabili. L'obiettivo è duplice: offrire un ingresso affidabile nel linguaggio klezmer e lasciare un vero spazio all'interpretazione personale, essenziale in questo repertorio.\u003c\/p\u003e\u003cp\u003eOgni pezzo integra elementi stilistici caratteristici, in particolare ornamenti e tecniche di esecuzione che conferiscono immediatamente il colore \"klezmer\". La parte di pianoforte, lontana da un semplice accompagnamento, propone linee di basso nette, sequenze armoniche tipiche, contro-melodìe e numerosi abbellimenti, per un risultato vivo ed espressivo sia in concerto che in audizione.\u003c\/p\u003e\u003cp\u003eSommario: \"Chava\", \"Fun Tashlik\", \"Mazel Tov\", \"Odessa Bulgarish\", \"Shalom Aleichem\", \"The Happy Nigun\", \"Zol Shoyn Kumen Die G'ule\", \"Tants Istanbul\".\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTradizionale, Mondo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOstermeier, Bettina \/ Voit, Günter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTedesco, inglese\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClarinetto in si bemolle e pianoforte\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficoltà\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFacile a intermedio\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura klezmer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 + 7 pagine\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54357024473363,"sku":"171476","price":10.62,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a916d09c463b902b2cecaa12410569014f1a2b49_BA10616.jpg?v=1789452971"},{"product_id":"barenreiter-brahms-j-sonatas-in-f-minor-e-flat-major-op-120-for-clarinet-piano-219590","title":"Brahms J. - Sonatas In F Minor \u0026 E-flat Major Op.120 For Clarinet \u0026 Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eNella primavera del 1894, Johannes Brahms, che aveva già accennato a una sorta di \"ritiro\" dalla composizione, ritrova l'impulso creativo al contatto con il clarinettista Richard Mühlfeld, il cui modo di suonare lo colpisce profondamente. Da questo incontro nascono, durante l'estate del 1894, due sonate per clarinetto e pianoforte che saranno poi eseguite da Brahms e Mühlfeld e suonate più volte prima della loro prima pubblicazione nel giugno 1895.\u003c\/p\u003e\u003cp\u003eQueste sonate op. 120 occupano un posto centrale nella musica da camera romantica: contribuiscono ad affermare la sonata per clarinetto come un genere a sé stante, ricco di sfumature e di dialogo strumentale. La scrittura, al contempo calda e introspettiva, valorizza la flessibilità del clarinetto, il suo canto, la sua capacità di modellare la frase, affidando al pianoforte un ruolo di partner denso ed espressivo.\u003c\/p\u003e\u003cp\u003eQuesta edizione si distingue per una prefazione molto documentata e, soprattutto, per un commento sulla pratica esecutiva particolarmente completo. Gli editori si basano su numerose fonti (testimonianze, trattati, edizioni didattiche antiche, registrazioni storiche) per chiarire la comprensione della notazione di Brahms e le abitudini interpretative della sua epoca. Troverete analisi mirate, sezione per sezione, sul ritmo e il rubato, le dinamiche e le accentuazioni, i punti e i tratti, il legato e il non legato, la pedale e le risonanze al pianoforte, l'arpeggio e gli spostamenti, nonché elementi legati al modo di suonare il clarinetto come il vibrato e il portamento. Una vera guida per costruire un'interpretazione allo stesso tempo informata, coerente e vivace.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohannes Brahms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura romantica, musica da camera\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUrtext (con prefazione e Performance Practice Commentary)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnno di pubblicazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1895\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclarinetto e pianoforte\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54357026963731,"sku":"219590","price":27.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/11b0b1b788a7e10a92c6bfde12695040dd00d8e5_BA10906.jpg?v=1789440346"},{"product_id":"barenreiter-bach-j-s-concerto-en-la-mineur-bwv-1041-pour-vn-cordes-et-bc-57511","title":"BACH J.S. CONCERTO EN LA MINEUR BWV 1041 POUR VN, CORDES ET BC","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta edizione è una \u003cstrong\u003e\"Parte separata corde\"\u003c\/strong\u003e destinata al \u003cstrong\u003eVn 1\u003c\/strong\u003e (violino 1) e attribuita a \u003cstrong\u003eBach Johann Sebastian\u003c\/strong\u003e. Il formato \"parte separata\" risponde alle esigenze dei musicisti di leggio: disponete di un materiale concentrato sulla vostra linea, più semplice da annotare, trasportare e tenere sotto gli occhi durante le prove. È una scelta particolarmente pertinente per il repertorio barocco, dove la precisione ritmica, l'articolazione, i colpi d'arco e la coerenza della frase si lavorano spesso collettivamente, ma si annotano individualmente su ogni parte.\u003c\/p\u003e \u003cp\u003eChe stiate preparando un concerto, un esame o una sessione d'orchestra, questa parte di \u003cstrong\u003eviolino 1\u003c\/strong\u003e vi permette di concentrarvi sull'essenziale: l'intonazione, la conduzione delle linee, l'equilibrio del suono e la messa a punto. Si presta anche molto bene al lavoro in autonomia (decodifica, preparazione dei passaggi, messa a punto delle diteggiature) prima della prova, per ottimizzare il tempo di esecuzione in ensemble. Per i capileggo e i professori, è un supporto efficace per guidare l'interpretazione e armonizzare le indicazioni all'interno del gruppo.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBach Johann Sebastian\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVn 1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54357051867411,"sku":"57511","price":6.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/fd1b90fc30f8a60c84f980cac3657d319fd8b16f_HLE_BA5189_74_61d0b78e-1f15-4db1-a4f9-d79395c41f6e.jpg?v=1789422603"},{"product_id":"barenreiter-beethoven-l-v-concerto-for-pianoforte-and-orchester-n-5-op-73-score-203521","title":"Beethoven L.V. - Concerto For Pianoforte And Orchester N°5 Op.73 - Score","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e\u003cp\u003eQuesta edizione Urtext del \u003cstrong\u003eConcerto per pianoforte e orchestra n. 5 in Mi bemolle maggiore op. 73\u003c\/strong\u003e di \u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e mette in risalto il quinto e ultimo concerto per pianoforte del compositore, spesso considerato il culmine della sua scrittura concertante. Le fonti manoscritte conservate illuminano con precisione il modo di lavorare di Beethoven e le sue intenzioni esecutive, che si traducono qui in un testo musicale particolarmente curato.\u003c\/p\u003e\u003cp\u003eL'editore \u003cstrong\u003eJonathan Del Mar\u003c\/strong\u003e ha esaminato in dettaglio la parte autografa per pianoforte solo e propone, per la prima volta in un'edizione moderna, le indicazioni d'interpretazione elaborate da Beethoven. Questo approccio apporta un vantaggio concreto per il pianista, soprattutto nei passaggi di tutti dove la linea di basso cifrata a mano sinistra assume una dimensione funzionale e stilistica essenziale.\u003c\/p\u003e\u003cp\u003eCome per i concerti per pianoforte da 1 a 4, la pubblicazione associa una \u003cstrong\u003eriduzione per pianoforte\u003c\/strong\u003e a una \u003cstrong\u003eparte solista separata\u003c\/strong\u003e che raccoglie tutte le informazioni necessarie affinché il solista possa \u003cstrong\u003edirigere l'insieme dal pianoforte\u003c\/strong\u003e, nello spirito delle pratiche dell'epoca. Una scelta pertinente per il lavoro in prova, la preparazione musicale e un'interpretazione informata, sia in conservatorio, in ambito professionale o per qualsiasi pianista alla ricerca di una partitura classica di riferimento.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol 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style=\"text-align:left\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBeethoven, Ludwig van\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePagine\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eX + 104 pagine\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArrangiatore\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDel Mar, Jonathan (editore)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFormato\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r 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style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura classica, edizione Urtext\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumero d\u0026#039;edizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBA 9025\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLingua\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eInglese, tedesco\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eISMN\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r 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Sechs Konzerte Fur Vier Altblockfloten Und BC Heft 1","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta parte separata di continuo per violoncello raccoglie tre concerti, presentati per tonalità: Concerto in Do maggiore, Concerto in Re minore e Concerto in Sol maggiore. Destinata ai violoncellisti chiamati a realizzare il basso continuo, offre un materiale di esecuzione diretto e funzionale, particolarmente adatto al lavoro d'insieme: posizionamento ritmico, tenuta del basso, stabilità dell'intonazione e precisione delle articolazioni. Grazie a un supporto centrato sulla linea di continuo, si guadagna in comfort di lettura ed efficacia durante le prove, mantenendo una linea di basso solida e musicale al servizio del discorso dei solisti e dell'orchestra. Una partitura utile per costituire il proprio materiale da leggio e affrontare l'accompagnamento di concerti con un approccio chiaro e strutturato.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evioloncello (parte separata di continuo \/ basso continuo)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenere\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura (parte separata, repertorio di concerti)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54357131919635,"sku":"166173","price":2.44,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8f8aa7d2199d12343b93417a1abf3ab316decce5_PARTOCHEEEE_3243a567-c882-4050-a193-968c9c384796.jpg?v=1789465987"},{"product_id":"barenreiter-moz-w-a-concerto-en-sol-majeur-kv-313-285c-flute-piano-40383","title":"Moz W.A. - Concerto En Sol Majeur Kv 313 (285C) - Flute Piano","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta partitura in \u003cstrong\u003eriduzione per pianoforte e voce\u003c\/strong\u003e (vocal score) è rivolta a cantanti, pianisti accompagnatori e maestri del canto che desiderano lavorare l'opera in modo efficace, senza dover utilizzare la partitura d'orchestra completa. Il pianoforte sintetizza le linee essenziali, permettendo di preparare gli ingressi, l'intonazione, la prosodia e gli equilibri, mantenendo una visione musicale coerente per la prova.\u003c\/p\u003e \u003cp\u003eProposta in \u003cstrong\u003eedizione Urtext\u003c\/strong\u003e, pone l'accento sull'affidabilità del testo musicale e su una lettura il più possibile vicina alle fonti. Questo approccio è particolarmente apprezzato per affinare l'articolazione, le dinamiche, le frasi e le intenzioni interpretative, sia in ambito didattico, in conservatorio, sia durante una preparazione professionale.\u003c\/p\u003e \u003cp\u003eL'orchestrazione originale prevede una formazione con \u003cstrong\u003eflauto solo\u003c\/strong\u003e, \u003cstrong\u003e2 flauti\u003c\/strong\u003e, \u003cstrong\u003e2 oboi\u003c\/strong\u003e, \u003cstrong\u003e2 corni\u003c\/strong\u003e e \u003cstrong\u003earchi\u003c\/strong\u003e. Anche in riduzione per pianoforte, questa informazione è preziosa per immaginare i colori orchestrali, anticipare le respirazioni e adattare il modo di suonare il pianoforte (voicing, attacchi, pedale) al fine di avvicinare il risultato alle intenzioni orchestrali. L'edizione è curata da \u003cstrong\u003eFranz Giegling\u003c\/strong\u003e, offrendo un quadro editoriale serio per un lavoro musicale strutturato.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano Reduction\/Vocal Score; Urtext Edition (edizione curata da Franz Giegling)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFlSolo, 2 Flute, 2 Oboe, 2 Horn, Strings\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54357137457427,"sku":"40383","price":18.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1f8df81a942efeec25f3e5f62afb44c187e1e6be_BA4854A_613b24d3-7eb5-4d18-a108-368aba2068b5.jpg?v=1789465970"},{"product_id":"barenreiter-mozart-w-a-concerto-en-la-majeur-n-12-kv-414-2-pianos-51332","title":"MOZART W.A. - CONCERTO EN LA MAJEUR N°12 KV 414 - 2 PIANOS","description":"\u003ch3\u003eRiassunto di questa partitura\u003c\/h3\u003e \u003cp\u003eQuesta edizione propone una \u003cstrong\u003ePiano Reduction\/Vocal Score\u003c\/strong\u003e in \u003cstrong\u003eEdizione Urtext\u003c\/strong\u003e, concepita per offrire una lettura affidabile e un'esperienza di lavoro fluida, sia per i cantanti che per i pianisti accompagnatori. Il principio della riduzione pianoforte permette di ritrovare l'essenziale della scrittura orchestrale sulla tastiera, mantenendo la linea vocale in primo piano: un formato particolarmente adatto per preparare un'esecuzione, affinare l'intonazione, gli attacchi, le respirazioni e l'articolazione, o ancora lavorare sull'interpretazione prima delle prove con l'ensemble.\u003c\/p\u003e \u003cp\u003eL'edizione è curata sotto la direzione di \u003cstrong\u003eChristoph Wolff\u003c\/strong\u003e, il che rafforza l'interesse musicologico di questo materiale e la sua adeguatezza a un approccio \"testo e intenzioni\". L'orchestrazione indicata (con \u003cstrong\u003e2 oboi\u003c\/strong\u003e, \u003cstrong\u003e2 corni\u003c\/strong\u003e e \u003cstrong\u003earchi\u003c\/strong\u003e, oltre al pianoforte) offre un quadro prezioso per anticipare i colori, le risposte strumentali e la dinamica globale. Che siate in conservatorio, in preparazione a concorsi o in contesto di produzione, questa partitura Urtext costituisce una base solida per costruire un'interpretazione precisa, equilibrata e stilisticamente coerente.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifiche tecniche\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenere musicale\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOpera\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpartiti\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdizione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano Reduction\/Vocal Score; Edizione Urtext (edizione critica a cura di Christoph Wolff); rilegatura a punti metallici\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrumentazione\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epianoforte (riduzione), 2 oboi, 2 corni, archi\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54357148893459,"sku":"51332","price":22.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f35826312cc4d14bc01032dd2a0d74465a1d50c4_BA487690_5282e271-e53f-4525-872d-0bba2e32eaba.jpg?v=1789466004"}],"url":"https:\/\/woodbrass.it\/collections\/barenreiter.oembed?page=2","provider":"Woodbrass.com","version":"1.0","type":"link"}